Showing posts with label Excerpt. Show all posts
Showing posts with label Excerpt. Show all posts

Excerpt from the Frontiers seminar at the University of Sussex: Session I of Frontiers

Electronic volume of the 26 extant sessions of the Frontiers seminar held at the University of Sussex, 1989-92. About 500 pp. in normal view (140,000 words).
ISBN 0-9717625-6-2

We're going to be on the frontier for the next three years. Or at the border, on the edge, at the limit, in the margin, on the boundary, perhaps in no-man's land - maybe at the barrier or on the barricade, or even on the fence (let me remind you that 'fence' is the everyday sense of the French word clôture, now systematically translated 'closure'): and especially, perhaps, on the frontier (or border, edge, limit, margin, boundary, barrier, barricade or fence) between these various, non-synonymous words or concepts. But even though we'll be on the frontier for three years, we'll take things term by term.

One of the questions I'd like us to follow as literally as possible is that of how frontiers or boundaries happen. More naïvely or traditionally, we might ask, what is the nature of a frontier or a boundary? One of the texts we'll certainly be looking at sooner or later is the comment in Marx about exchange beginning accidentally at the frontiers of natural communities. (In due course we'll need to read this against Aristotle's analysis of exchange in the Politics, where this value of the 'accidental' as opposed to the 'natural' also plays a vital role in the argument about exchange.) We might want to wonder what a 'natural community' is, and whether natural communities have so-called 'natural boundaries' (where exchange begins accidentally). It's quite common to talk of coasts, rivers or ranges of mountains as 'natural boundaries': but we might wonder whether there are or ever could be natural boundaries, or whether natural boundaries are only ever called boundaries by analogy with non- natural ones, once they have been crossed. Or are all boundaries natural boundaries in the sense of being boundaries of nature, boundaries to nature, lines where nature ends, the transition or transgression point of nature into one of its others (culture, law, tekhné, politics, etc.)? Maybe every frontier also divides nature and culture.

Here's one description of a frontier happening, or not quite happening:

Remus, the story goes, was the first to receive a sign - six vultures; and no sooner was this made known to the people than double the number of birds appeared to Romulus. The followers of each promptly saluted their master as king, one side basing its claim upon priority, the other upon number. Angry words ensued, followed all too soon by blows, and in the course of the affray Remus was killed. There is another story, a commoner one, according to which Remus, by way of jeering at his brother, jumped over the half-built walls of the new settlement, whereupon Romulus killed him in a fit of rage, adding the threat, 'So perish whoever else shall overleap my battlements'. (Livy, I,6)

From which let's hold on at least to the suspicion that frontiers are constructed against prior violence or discord, and that their construction involves their being crossed before they can prevent crossing, all still in violence. Tracing a frontier is here a violent move in a violent context, and invites the further violence of jealousy, jeering, revenge and threat. Later on, reading Lyotard's The Wall of the Pacific, we'll come back to Rome and its frontiers, and wonder to what extent it can be taken as paradigmatic of frontiers in general.

Here's another, more recent description of a frontier happening, or not quite happening:

Wherever two regions are about to form a boundary (...), the third region (...) establishes a chain of outposts. In order that these outposts do not form bilateral borders with their neighbours, they in turn are surrounded by chains of islands in a structure which is repeated down to infinitely small dimensions...

What may seem almost impossible as a boundary between three 'countries' can be extended without any mathematical difficulty to situations with 4,5,6... competing domains. The boundary is made up entirely of points where 4,5,6... countries meet. (Peitgen and Richter, The Beauty of Fractals, p. 19).

This is from a popularising book about 'fractals'. One of the attractions of fractal geometry has been that it promises mathematical descriptions or models of 'natural' phenomena (coastlines and clouds, roots and branches, weather and turbulence) that had previously looked chaotic from the point of view of Euclidean geometry and Newtonian or even quantum mechanics. And although I hope we might one day look with due modesty at the strictly mathematical aspects of fractals, let's just note here the uncontrolled mixing in this description of 'natural' and 'political' language: there's talk of 'islands' but also of 'countries', of 'competing domains' involving borders with 'neighbours', and more than a suspicion of teleology in the mysterious 'In order that these outposts do not form bilateral borders...'. Where does the competition come from, and what force is preventing bilateralism in the name of a more complex plurality? Perhaps the boundary between the natural and the political here could itself be described in fractal terms, but let us beware of a covert metaphysics informing these descriptions, and the desire we may have to appeal to 'scientific' description as a final arbiter of our problems to come.

I started with a list of related words or concepts - or let's call them terms: frontier, boundary, edge, limit, border, margin. One thing I expect we may spend some time on is pretending to do some 'ordinary language philosophy' around these terms, or trying to establish their 'grammar', in Wittgenstein's sense. We can, I suppose, already invoke Derrida's handy notion of 'non-synonymous substitutions', though we need to recognise that this is also the name of a problem (what determines the substitutions if the terms are not synonymous - i.e. interchangeable salva veritate, in Leibniz's definition?). There seems to be good reason to think of Derrida here, not only in that he makes abundant use of this vocabulary, but because these words or concepts or terms (frontier, border, etc.) seem to share with others, such as difference, the complication involved in also saying something about what it is to be a concept, a word or a term. The term 'term', at any rate, means just that: boundary, border or frontier of territory: a term can be a stone or post (traditionally carved with the image of Jupiter terminus, god of boundaries) marking the limit of possession of a piece of ground. In one conception of philosophy at least, it would be our task to establish as precisely the possible the frontiers between these various concepts - and the establishment of precise frontiers between them would be a condition of their conceptuality. Frege famously suggests that if a concept does not have precise boundaries then it is simply not a concept:

The concept must have a sharp boundary. If we represent concepts in extension by areas on a plane, this is admittedly a picture that lay be used only with caution, but here it can do us good service. To a concept without sharp boundary there would correspond an area that had not a sharp boundary-line all round, but in places just vaguely faded away into the background. This would not really be an area at all; and likewise a concept that is not sharply defined is wrongly termed a concept. Such quasi-conceptual constructions cannot be recognised as concepts by logic; it is impossible to lay down precise laws for them. The law of excluded middle is really just another form of the requirement that the concept should have a sharp boundary. Any object Δ that you choose to take either falls under the concept or does not fall under it; tertium non datur. E.g. would the sentence 'any square root of 9 is odd' have a comprehensible sense at all if square root of 9 were not a concept with a sharp boundary? Has the question 'Are we still Christians?' really got a sense, if it is indeterminate whom the predicate 'Christian' can truly be ascribed to, and who must be refused it? (Grundgesetze der Arithmetik, Vol. 2, par.56: Translations, p. 139)

And Wittgenstein equally famously contests this necessity, typically enough by pursuing Frege's analogy or 'picture' (which Frege has said 'may be used only with caution', and to which he himself could not accord conceptual status - Frege's passage is a non-conceptual description of what a concept is or must be): here, for example, in par.71 of the Philosophical Investigations:

One might say that the concept 'game' is a concept with blurred edges. - 'But is a blurred concept a concept at all?' - Is an indistinct photograph a picture of a person at all? Is it even always an advantage to replace an indistinct picture by a sharp one? Isn't the indistinct one often exactly what we need?

Frege compares a concept to an area and says that an area with vague boundaries cannot be called an area at all. This presumably means that we cannot do anything with it. [You'll remember that Frege actually complains about an impossibility of laying down the law for it] - But is it senseless to say: 'Stand roughly there'? Suppose that I were standing with someone in a city square and said that. As I say it I do not draw any kind of boundary, but perhaps point with my hand - as if I were indicating a particular spot.

Or again, a little earlier:

I can give the concept 'number' rigid limits in this way, that is, use the word 'number' for a rigidly limited concept, but I can also use it so that the extension of the concept is not closed by a frontier. And this is how we do use the word 'game'. For how is the concept of a game bounded? What still counts as a game and what no longer does? Can you give a boundary? No. You can draw one; for none has so far been drawn. (But that never troubled you before when you used the word 'game'.)

'But then the use of the word is unregulated, the 'game' we play with it is unregulated'. - It is not everywhere circumscribed by rules; but no more are there any rules for how high one throws the ball in tennis, or how hard; yet tennis is a game for all that and has rules too. (68)

And, finally for now:

If I tell someone 'Stand roughly here' - may not this explanation work perfectly? And cannot every other one fail too? But isn't it an inexact explanation? - Yes; why shouldn't we call it 'inexact'? Only let us understand what 'inexact' means. For it does not mean 'unusable'. And let us consider what we call an 'exact' explanation in contrast with this one. Perhaps something like drawing a chalk line round an area? Here it strikes us at once that the line has breadth. So a colour-edge would be more exact. But has this exactness still got a function here: isn't the engine idling? And remember too that we have not yet defined what is to count as overstepping this exact boundary; how, with what instruments, it is to be established. And so on. (par.88)

We shall need to come back to these texts in detail. Let me pick out for now the perception that 'the line has breadth' (whereas the (colour-)edge has none), and the persistent linking, in Wittgenstein at least, of these questions with questions of pointing, of pointing out (in the immediate vicinity of these remarks, 'A rule stands there like a sign-post' (par.85)), and therefore of deictics ('Stand here, stand there'). We shall need to see whether this association of questions of boundaries and questions of pointing is accidental, or whether the two (boundary-posts - terms, as we were saying - , and sign-posts) always go together or get confused. To do this, we shall not only follow all the paradoxical sign-posts and pointing fingers in Wittgenstein in the Tractatus as well as the Philosophical Investigations, but also in the Philosophical Grammar and in On Certainty (though by doing that I think we shall be able to establish some perhaps surprising links between the early and late Wittgenstein), but wonder why the first two examples Heidegger gives of 'signs' in par.17 of Being and Time should be 'signposts' and 'boundary-stones', precisely, or why the one example he chooses for detailed analysis in the same section should be that of an 'adjustable red arrow' sometimes (apparently) fitted to motor cars, so that they can indicate to others which way they are going at a cross-roads (where no doubt there is a signpost to help the driver make up his mind), and why the preliminary examination of the sense of logos in the introduction to Being and Time should stress so much Aristotle's notion of 'apophantic' discourse as 'making manifest in the sense of letting something be seen by pointing it out'. And these questions will rapidly lead us into a detour via Lyotard and Derrida, in an attempt to clarify their apparent conflict over the interpretation of deictic terms, especially in Husserl.

More surprisingly, perhaps, we shall have to take account of arguments in Derrida's new 'Afterword' to Limited Inc, around the status of conceptual boundaries, which we have just seen Wittgenstein suggest need not be rigid or precise. Searle accuses Derrida of hanging on to the Fregean assumption (which Searle rather sarcastically associates with logical positivism, using that well-known anti-deconstruction line which begins 'I find it rather ironic that...') of a need for rigid distinctions, and Derrida retorts in a way which may give us pause:

How can one make the demand for 'rigorous and precise' distinction the property of any one school of thought or of any one philosophical style? What philosophers ever since there were philosophers, what logician ever since there were logicians, what theoretician ever renounced this axiom: in the order of concepts (for we are speaking of concepts and not of the colors of clouds or the taste of certain chewing gums), when a distinction cannot be rigorous or precise, it is not a distinction at all. If Searle declares explicitly, seriously, literally that this axiom must be renounced, that he renounces it (...), then, short of practising deconstruction with some consistency and of submitting the very rules and regulations of his project to an explicit reworking, his entire philosophical discourse on speech acts will collapse even more rapidly. (pp. 123-4)

and only a little later:

I confirm it: for me, from the point of view of theory and of the concept, 'unless a distinction can be made rigorous and precise it isn't really a distinction'. Searle is entirely right, for once, in attributing this 'assumption' to me. I feel close to those who share it. (p. 126)

This is part of a general attack on Searle's concern always to aim for the 'centre' of concepts (of the promise, for example) and leave the margins to look after themselves. As this is a general tendency in much so-called 'analytic' philosophy, we shall have to look at it seriously. The problem is made more acute by the fact that Derrida himself seems on occasion to resort to the same procedure - in 'Signature, Event, Context', for example, he seems happy to isolate 'essential' features of the concept of communication, and elsewhere talks of concepts having a 'nucleus' or core. And even though there is an immediate difference between Derrida's reading off central features of a classical concept (including the classical concept of concept) before doing something else, rather than attempting to establish a legality of a concept for future use, and even though the very concept of 'centre' is famously read in this way in 'Structure, Sign and Play', there is here a difficult set of relationships between what are and are not concepts, what is and is not philosophy, which involve the whole question of deconstruction and which we shall have to treat with care to avoid many current misunderstandings.

Kant and Hegel beckon to us here too. Kant's philosophy is all about drawing frontiers and establishing the legality of territories. In the 'Introduction' to the third Critique, for example, there is a rather more complex use of the spatial analogy we've just seen in Frege:

Concepts, so far as they are referred to objects apart from the question of whether knowledge of them is possible or not, have their field [feld], which is determined simply by the relation in which their Object stands to our faculty of cognition in general. - The part of this field in which knowledge is possible for us, is a territory (territorium) for these concepts and the requisite cognitive faculty. The part of the territory over which they exercise legislative authority is the realm (ditio) of these concepts, and their appropriate cognitive faculty. Empirical concepts have, therefore, their territory, doubtless, in nature as the complex of all sensible objects, but they have no realm (only a dwelling- place, domicilium), for, although they are formed according to law, they are not themselves legislative, but the rules founded on them are empirical, and consequently contingent. (Eng. tr. p. 12)

This quite complex topology is related to a pervasive Kantian language of territory, which is certainly not innocent. Here, for example, from the first Critique, is the opening of Chapter III ('The Ground of the Distinction of all Objects in general into Phenomena and Noumena') of Book II ('Analytic of Principles') of the First Division ('Transcendental Analytic') of the Second Part ('Transcendental Logic') of the first main section ('Transcendental Doctrine of Elements'):

We have now not merely explored the territory of pure understanding, and carefully surveyed every part of it, but have also measured its extent, and assigned to everything in it its rightful place. This domain is an island, enclosed by nature itself within unalterable limits. It is the land of truth - enchanting name! - surrounded by a wide and stormy ocean, the native home of illusion, where many a fog bank and many a swiftly melting iceberg give the deceptive appearance of farther shores, deluding the adventurous seafarer ever anew with empty hopes, and engaging him in enterprises which he can never abandon and yet is unable to carry to completion. Before we venture on this sea, to explore it in all directions and to obtain assurance whether there be any ground for such hopes, it will be well to begin by casting a glance upon the map of the land which we are about to leave, and to enquire, first, whether we cannot in any case be satisfied with what it contains - are not, indeed, under compulsion to be satisfied, inasmuch as there may be no other territory upon which we can settle; and, secondly, by what title we possess even this domain, and can consider ourselves as secured against all opposing claims. (Eng. tr., p. 257)

There is much at stake in this language of boundaries, mapping and possession. We should try to follow it not only in Kant, but in Lyotard's recent readings of Kant (and notably perhaps, in Le différend, his extension of Kant's island analogy to that of the archipelago of discursive genres). Hegel's critique of Kant, for example, is crucially concerned to undermine the legitimacy of this boundary-language, seeing it as the culprit for the diremption in Kant between understanding and Reason and eventually between the concept and the law. Both in the Phenomenology and in the Greater Logic, there are powerful arguments against this Kantian set-up. Gillian Rose's reading of this nexus - including Kant's late distinction between boundary and limit - in her Hegel and Sociology will help us here, and also, perhaps, to explore some of the (bad) arguments about law and post-structuralism put forward in her Dialectic of Nihilism.

This general problem of conceptual boundaries (or frontiers, or edges, or limits) may seem preliminary to any investigation at all of our problem. It looks as though we ought to clarify the conceptual boundaries of the concept of boundary before we try to clarify problems with 'real' boundaries. But I'd like to suggest that we postpone it - probably until next year. Doing this postponement, which implies that we can get along fine for the time being without that clarification, almost certainly commits us to something like the Wittgensteinian argument outlined above. I suggest this partly for 'pragmatic' reasons (the 'Afterword' to Limited Inc also has some interesting remarks about pragmatics), but partly in the spirit of the deconstructive argument (which we shall rehearse in due course) against the possibility of absolutely justifiable starting-points. According to the Grammatology, we must start 'somewhere where we are, in a text already...', and move on following our noses to see where we might be going. Wittgenstein says at the beginning of the 'Lecture on Ethics' that the problem resides in the fact that 'The listener is unable to see both the road he is being led to take and the goal to which it leads' (in this case - but in fact in general - this is true of the speaker as well as the listener): here that necessary contingency pushes me to return rather more literally to Wittgenstein's and Kant's language of spaces and areas with or without frontiers - in other words, to a language of territory. Standing in a city square and saying 'stand roughly there' was one of Wittgenstein's scenarios I just quoted. This suggests problems of space and place which might inspire us to read Heidegger's explication of those terms in 'Building, Dwelling, Thinking', but might also point us toward a whole set of questions we might entitle 'Architecture and postmodernism'. Remember Jameson's distress at the experience of space (and the need for signposts) in the foyer of the Bonaventura hotel, for example. Or, in Robert Venturi's Complexity and Contradiction in Architecture, something of a precursor text for architectural postmodernism, a comment on 'residual space':

Residual space in between dominant spaces with varying degrees of openness can occur at the scale of the city and is a characteristic of the fora and other complexes of late Roman urban planning. Residual spaces are not unknown in our cities. I am thinking of the open spaces under our highways and the buffer spaces around them. Instead of acknowledging and exploiting these characteristic kinds of space we make them into parking lots or feeble patches of grass - no-man's lands between the scale of the region and the locality. (p. 80)

Residual space communicates with the vague boundaries of Wittgenstein's persistent analogy - but rather than pursue the phenomenological flavour of this talk of region and locality, I'd like to exploit its own lack of conceptual clarity by picking on its links with a geo-political sense of region, which rapidly requires clarification of the notion of country and all that that implies - as in the analogical terminology used in the unreflected way I quoted from the authors of book on fractals. Can we separate this geo-political dimension from the most apparently 'abstract' reflection on concepts and the nature of philosophy, once the language of frontiers and borders seems inescapable? (This question will confirm Hegel's identification of a link between boundaries and/or limits and the 'ought' of morality). It also involves the problem of the frontier between 'philosophical' and 'ordinary'(?) language which will again haunt our discussion of Derrida and Searle: in 'La Double Séance', for example, Derrida writes:

When a writing marks and re-marks this undecidability, its formalising power is greater - even if it is apparently 'literary' or seems to come from a natural language - than that of a proposition in logico-mathematical form still short of this type of mark. Supposing that the still metaphysical distinction between natural language and artificial language is rigorous (and here we are no doubt touching on the limit of its pertinence), there would be texts in so-called natural language whose formalising power would be greater than that accorded to certain apparently formal notations. (p. 251)

Note that the metaphysical distinction seems to break down at a limit, which suggests a continuing problem around border-terms. But this will also allow us some literary readings of frontiers, and especially perhaps Kafka's 'Great Wall of China'.)

Deleuze and Guattari, at any rate, seem prepared to claim a priority of the geo-political over the conceptual, at least in its traditional self-conceptualisation:

Thought would in itself already conform to a model borrowed from the State apparatus, fixing it aims and paths, conduits, channels, organs, a whole organon. There would, then, be an image of thought covering the whole of thought, which would be the special object of a 'noology', and which would be like the State-form developed in thought. And this image has two heads which refer precisely to the two poles of sovereignty: [on the one hand] an imperium of true-thinking, which operates by magical capture, grasp or bond, constituting the efficacy of a foundation (mythos); [and on the other] a republic of free spirits which proceeds by pact or contract, constituting a legislative and juridical organisation, bringing the sanction of a foundation (logos)... Remaining with this image, it is clear that it is not a simple metaphor, each time there is talk of an imperium of the true and a republic of spirits. It is the condition of constitution of thought as principle or form of interiority, as a stratum. (Mille Plateaux, pp. 465-6)

And everything they write about territorialisation and de-territorialisation, about nomadism and sedentarism, about smooth and striated spaces, and especially perhaps about war-machines, will concern us too. But let's start with borders and frontiers in this apparently 'literal' sense. Deleuze and Guattari say themselves that 'the most important thing is perhaps frontier-phenomena, where nomad-science exerts a pressure on State science, and where, conversely, State science appropriates and transforms the data of nomad science' (Mille plateaux, p. 449). This isn't just a tribute to 1992, when our three years will be up, but let's pretend that it is for the moment. Nor is it an attempt simply to follow a recent interest in France in questions of nationalism and internationalism, of cosmopolitanism and racism, though we should at least keep an eye on that too. What I propose we do for this year is to look at some of the major texts of the tradition of political philosophy with an eye to frontiers and border-crossings, international relations, war, invasion, foreigners and cosmopolitanism. This should not be essentially a historical investigation (and it certainly won't be exhaustive) - there's no reason to feel that we would be competent to do that - but, in more philosophical vein, more like an attempt to work out some conditions for any such historical approach to get started. If this remark has a good old Kantian-transcendental flavour to it, maybe that's because the two texts I'd like to start with are indeed by Kant: on the one hand the 'Idea for a Universal History from a Cosmopolitan Point of View' of 1784, and on the other, 'Perpetual Peace: a Philosophical Sketch', of 1795-6. And to introduce those texts in a way which suggests that the link with Kant's territorial analogy for the divisions of reason is not innocent, here's a passage from the Metaphysics of Morals (which we should remember is a doctrinal rather than a critical text) which introduces many of the themes that with concern us in the immediate future:

A country (territorium) [the same Latin word used in the Introduction to the third Critique for that part of the general field of Reason accessible to knowledge] whose inhabitants are fellow citizens of one and the same commonwealth by the very nature of the constitution (i.e. without having to exercise any particular right, so that they are already citizens by birth) is called the fatherland of these citizens. Lands in which this condition of citizenship does not apply to them are foreign countries. And a country which is part of a wider system of government is called a province (in the sense in which the Romans used this word); since it is not, however, an integrated part of an empire (imperii) whose inhabitants are all fellow-citizens, but is only a possession and subordinate realm of the empire, it must respect the territory of the ruling state as its motherland (regio domina). (Kant's Political Writings, p. 160)

And as the problem of sexual difference will emerge as a complexity not always addressed and certainly not clarified in the texts we shall read, here is a little more on the maternal and the paternal, from Kant's essay 'On the Common Saying: "This may be true in theory, but it does not apply in practice"' (1793):

The only conceivable government for men who are capable of possessing rights, even if the ruler is benevolent, is not a paternal but a patriotic government (imperium non paternale, sed patrioticum). A patriotic attitude is one where everyone in the state, not excepting its head, regards the commonwealth as a maternal womb, or the land as the paternal ground from which he himself sprang and which he must leave to his descendants as a treasured pledge. (p. 74)

As this maternal womb will not fail to remind some of you of recent work around the notion of chora in Kristeva and Derrida, let me end today by recalling that in Greek one of the primary senses of that word (which does not mean womb) is, precisely, territory, country, homeland. Thus Orestes, his crime finally absolved by Apollo at the end of Aeschylus's trilogy the Oresteia (to which we shall return), pardoned on the grounds that his killing his mother, Clytemnestra, for killing his father, Agamemnon - you remember the story - that this is a lesser crime than was hers in killing his father because a mother's womb is no more than a receptacle for the child who is essentially the work of the father, mother and child being essentially in a relation of stranger to stranger or foreigner to foreigner [xeno xene: there seems every reason in the context to maintain a metaphor of international politics], thus Orestes, who had been deprived of fatherland [gaias patroas] leaves Athens where the trial has taken place, to return to Argos, whence he had been chased by the furies after his crime, to return home [pros domos], but not before pledging a pact of peace, indeed of perpetual peace, for the oath is for 'the fullness of all time to come [apanta pleistere kronos]' between Argos and Athens, your land, your chora.

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Excerpt from "Signature, Event, Context" by Jacques Derrida

A communication to the Congrès international des
Sociétés de philosophie de langue francaise, Montreal, August 1971.
From Margins of Philosophy, tr. Alan Bass, pp. 307-330

Still confining ourselves, for simplicity, to spokenutterance.
Austin, How to Do Things with Words, p. 113 n.2.

Is it certain that there corresponds to the word communication a unique, univocalconcept, a concept that can be rigorously grasped and transmitted: a communicable concept? Following a strange figure of discourse, one first must ask whether the word or signifier "communication" communicates a determined content, an identifiable meaning, a describable value. But in order to articulate and to propose this question, I already had to anticipate the meaning of the word communication: I have had to predetermine communication as the vehicle, transport, or site of passage of a meaning, and of a meaning that is one. If communication had several meanings, and if this plurality could not be reduced, then from the outset it would not be justified to define communication itself as the transmission of a meaning, assuming that we are capable of understanding one another as concerns each of these words (transmission, meaning, etc.). Now, the word communication, which nothing initially authorizes us to overlook as a word, and to impoverish as a polysemic word, opens a semantic field which precisely is not limited to semantics, semiotics, and even less to linguistics. To the semantic field of the word communication belongs the fact that it also des- ignates nonsemantic movements. Here at least provisional recourse to ordinary language and to the equivocalities of natural language teaches us that one may, for example, communicate a movement or that a tremor, a shock, a displacement of force can be communicated that is, propagated, transmitted. It is also said that different or distant places can communicate between each other by means of a given passageway or opening. What happens in this case, what is transmitted or communicated are not phenomena of meaning or signification. In these cases we are dealing neither with a semantic or conceptual content, nor with a semiotic operation, and even less with a linguistic exchange. Nevertheless, we will not say that this nonsemiotic sense of the word communication such as it is at work in ordinary language, in one or several of the so-called natural languages, constitutes the proper or primitive meaning, and that consequently the semantic, semiotic, or linguistic meaning corresponds to a derivation, an extension or a reduction, a metaphoric displacement. We will not say, as one might be tempted to do, that semiolinguistic communication is more metaphorico entitled "communication," because by analogy with "physical" or "real" communication it gives passage, transports, transmits something, gives access to something. We will not say so:
1. because the value of literal, proper meaning appears more problematical than ever,
2. because the value of displacement, of transport, etc., is constitutive of the very concept of metaphor by means of which one allegedly understands the semantic displacement which is operated from communication as a nonsemiolinguistic phenomenon to communication as a semiolinguistic phenomenon.
(I note here between parentheses that in this communication the issue will be, already is, the problem of polysemia and communication, of dissemination which I will oppose to polysemiaand communication. In a moment, a certain concept of writing is bound to intervene, in order to transform itself, and perhaps in order to transform the problematic.)
It seems to go without saying that the field of equivocality covered by the word communication permits itself to be reduced massively by the limits of what is called a context (and I announce, again between parentheses, that the issue will be, in this communication, the problem of context, and of finding out about writing as concerns context in general). For example, in a colloquium of philosophy in the French language, a conventional context, produced by a kind of implicit but structurally vague consensus, seems to prescribe that one propose "communications" on communication, communications in discursive form, colloquial, oral communications destined to be understood and to open or pursue dialogues within the horizon of an intelligibility and truth of meaning, such that in principle a general agreement may finally be established. These communications are to remain within the element of a determined "natural" language, which is called French, and which commands certain very particular uses of the word communication. Above all, the object of these communications should be organized, by ' priority or by privilege, around communication as discourse, or in any event as signification.

Without exhausting all the implications and the entire structure of an "event" like this one, which would merit a very long preliminary analysis, the prerequisite I have just recalled appears evident; and for anyone who doubts this, it would suffice to consult our schedule in order to be certain of it. But are the prerequisites of a context ever absolutely determinable? Fundamentally, this is the most general question I would like to attempt to elaborate.

Is there a rigorous and scientific concept of the context? Does not the notion of context harbor, behind a certain confusion, very determined philosophical presuppositions? To state it now in the most summary fashion, I would like to demonstrate why a context is never absolutely determinable, or rather in what way its determination is never certain or saturated. This structural nonsaturation would have as its double effect:
1. a marking of the theoretical insufficiency of the usual concept of (the linguistic or nonlinguistic) context such as it is accepted in numerous fields of investigation, along with all the other concepts with which it is systematically associated;
2. a rendering necessary of a certain generalization and a certain displacement of the concept of writing. The latter could no longer, henceforth, be included in the category of communication, at least if communication is understood in the restricted sense of the transmission of meaning. Conversely, it is within the general field of writing thus defined that the effects of semantic communication will be able to be determined as particular, secondary; inscribed, supplementary effects.

Writing and Telecommunication

If one takes the notion of writing in its usually accepted sense which above all does not mean an innocent, primitive, or natural senseone indeed must see it as a means of communication. One must even acknowledge it as a powerful means of communication which extends very far, if not infinitely, the field of oral or gestural communication. This is banally self-evident, and agreement on the matter seems easy. I will not describe all the modes of this extension in time and in space. On the other hand I will pause over the value of extension to which I have just had recourse. When we say that writing extends the field and powers of a locutionary or gestural communication, are we not presupposing a kind of homogenous space of communication? The range of the voice or of gesture certainly appears to encounter a factual limit here, an empirical boundary in the form of space and time; and writing, within the same time, within the same space, manages to loosen the limits, to open the same field to a much greater range. Meaning, the content of the semantic message, is thus transmitted, communicated, by different means, by technically more powerful mediations, over a much greater distance, but within a milieu that fundamentally continuous and equal to itself, within a homogenous element across which the unity and integrity of meaning is not affected in an essential way. Here, all affection is accidental.
The system of this interpretation (which is also in a way the system of interpretation, or in any event of an entire interpretation of hermeneutics), although it is the usual one, or to the extent that it is as usual as common sense, has been represented in the entire history of philosophy.

I will say that it is even, fundamentally, the properly philosophical interpretation of writing. I will take a single example, but I do not believe one could find, in the entire history of philosophy as such, a single counterexample, a single analysis that essentially contradicts the one proposed by Condillac, inspired, strictly speaking, by Warburton, in the Essay on the Origin of Human Knowledge (Essai sur l'origine des connaissances humaines, Paris: Galilée 1973). I have chosen this example because an explicit reflection on the origin and function of the written (this explicitness is not encountered in all philosophy, and one should examine the conditions of its emergence or occultation) is organized within a philosophical discourse which like all philosophy presupposes the simplicity of the origin and the continuity of every derivation, every production, every analysis, the homogeneity of all orders. Analogy is a major concept in Condillac's thought. I choose this example also because the analysis which "retraces" the origin and function of writing is placed, in a kind of noncritical way, under the authority of the category of communication. If men write, it is (1) because they have something to communicate; (2) because what they have to communicate is their "thought," their "ideas," their representations. Representative thought precedes and governs communication which transports the "idea", the signified content; (3) because men are already capable of communicating and of communicating their thought to each other when, in continuous fashion, they invent the means of communication that is writing. Here is a passage from chapter 13 of part 2 ("On Language and On Method"), section ("On the Origin and Progress of Language"), (writing is thus a modality of language and marks a continuous progress in a communication of linguistic essence), section 13, "On Writing": "Men capable of communicating their thoughts to each other by sounds felt the necessity of imagining new signs apt to perpetuate them and to make them known to absent persons" (I italicize this value of absence, which, if newly reexamined, will risk introducing a certain break in the homogeneity of the system). As soon as men are capable of "communicating their thoughts," and of doing so by sounds (which is, according to Condillac, a secondary stage, articulated language coming to "supplement" the language of action, the unique and radical principle of all language), the birth and progress of writing will follow a direct, simple, and continuous line. The history of writing will conform to a law of mechanical economy: to gain the most space and time by means of the most convenient abbreviation; it will never have the least effect on the structure and content of the meaning (of ideas) that it will have to vehiculate. The same content, previously communicated by gestures and sounds, henceforth will be transmitted by writing, and successively by different modes of notation, from pictographic writing up to alphabetic writing, passing through the hieroglyphic writing of the Egyptians and the ideographic writing of the Chinese. Condillac continues: "Imagination then will represent but the same images that they had already expressed by actions and words, and which had, from the beginnings, made language figurative and metaphoric. The most natural means was therefore to draw the pictures of things. To express the idea of a man or a horse the form of one or the other will be represented, and the first attempt at writing was but a simple painting" (p. 252; my italics). The representative character of written communicationwriting as picture, reproduction, imitation of its contentwill be the invariable trait of all the progress to come. The.concept of representation is indissociable here from the concepts of communication and expression that I have underlined in Condillac's text. Representation, certainly, will be complicated, will be given supplementary waystations and stages, will become the representation of representation in hieroglyphic and ideographic writing, and then in phonetic-alphabetic writing, but the representative structure which marks the first stage of expressive communication, the idea/sign relationship, will never be suppressed or transformed. Describing the history of the kinds of writing, their continuous derivation on the basis of a common radical which is never displaced and which procures a kind of community of analogical participation between all the forms of writing, Condillac concludes (and this is practically a citation of Warburton, as is almost the entire chapter): "This is the general history of writing conveyed by a simple gradation from the state of painting through that of the letter; for letters are the last steps which remain to be taken after the Chinese marks, which partake of letters precisely as hieroglyphs partake equally of Mexican paintings and of Chinese characters. These characters are so close to our writing that an alphabet simply diminishes the confusion of their number, and is their succinct abbreviation" (pp. 254-53)
Having placed in evidence the motif of the economic, homogenous, and mechanical reduction, let us now come back to the notion of absence that I noted in Condillac's text. How is it determined?
1. First, it is the absence of the addressee. One writes in order to communicate something to those who are absent. The absence of the sender, the addressor, from the marks that he abandons, which are cut off from him and continue to produce effects beyond his presence and beyond the present actuality of his meaning, that is, beyond his life itself,this absence, which however belongs to the structure of all writing and I will add, further on, of all language in generalthis absence is never examined by Condillac.
2. The absence of which Condillac speaks is determined in the most classical fashion as a continuous modification, a progressive extenuation of presence. Representation regularly supplements presence . But this operation of supplementation ("To supplement" is one of the most decisive and frequently employed operative concepts on Condillac's Essai) is not exhibited as a break in presence, but rather as a reparation and a continuous, homogenous modification of presence in representation.
Here, I cannot analyze everything that this concept of absence as a modification of presence presupposes, in Condillac's philosophy and elsewhere. Let us note merely that it governs another equally decisive operative concept (here I am classically, and for convenience, opposing operative to thematic) of the Essai: to trace and to retrace. Like the concept of supplementing, the concept of trace could be determined otherwise than in the way Condillac determines it. According to him, to trace means "to express," "to represent," "to recall," "to make present" ("in all likelihood painting owes its origin to the necessity of thus tracing our thoughts, and this necessity has doubtless contributed to conserving the language of action, as that which could paint the most easily," p. 253). The sign is born "at the same time as imagination and memory, at the moment when it is demanded by the absence of the object for present perception (Memory, as we have seen, consists only in the power of reminding ourselves of the signs of our ideas, or the circumstances which accompanied them; and this capacity occurs only by virtue of the analogy of signs (my italics; this concept of analogy, which organizes Condillac's entire system, in general makes certain all the continuities, particularly the continuity of presence to absence) that we have chosen, and by virtue of the order that we have put between our ideas, the objects that we wish to retrace have to do with several of our present needs" (p. 129). This is true of all the orders of signs distinguished by Condillac (arbitrary, accidental, and even natural signs, a distinction which Condillac nuances, and on certain points, puts back into question in his Letters to Cramer). The philosophical operation that Condillac also calls "to retrace" consists in traveling back, by way of analysis and continuous decomposition, along the movement of genetic derivation which leads from simple sensation and present perception to the complex edifice of representation: from original presence to the most formal language of calculation.
It would be simple to show that, essentially, this kind of analysis of written signification neither begins nor ends with Condillac. If we say now that this analysis is "ideological," it is not primarily in order to contrast its notions to "scientific" concepts, or in order to refer to the often dogmaticone could also say "ideological"use made of the word ideology, which today is so rarely examined for its possibility and history. If I define notions of Condillac's kind as ideological, it is that against the background of a vast, powerful, and systematic philosophical tradition dominated by the self-evidence of the idea (eidos, idea), they delineate the field of reflection of the French "ideologues" who, in Condillac's wake, elaborated a theory of the sign as a representation of the idea, which itself represents the perceived thing. Communication, hence, vehiculates a representation as an ideal content (which will be called meaning); and writing is a species of this general communication. A species: a communication having a relative specificity within a genus.
If we ask ourselves now what, in this analysis, is the essential predicate of this specific difference, we once again. find absence.
Here I advance the following two propositions or hypotheses:
1. Since every sign, as much in the "language of action" as in articulated language (even before the intervention of writing in the classical sense), supposes a certain absence (to be determined), it must be because absence in the field of writing is of an original kind if any specificity whatsoever of the written sign is to be acknowledged.
2. If, perchance, the predicate thus assumed to characterize the absence proper to writing were itself found to suit every species of sign and communication, there would follow a general displacement: writing no longer would be a species of communication, and all the concepts to whose generality writing was subordinated (the concept itself as meaning, idea, or grasp of meaning and idea, the concept of communication, of sign, etc.) would appear as noncritical, illformed concepts, or rather as concepts destined to ensure the authority and force of a certain historic discourse.
Let us attempt then, while continuing to take our point of departure from this classical discourse, to characterize the absence which seems to intervene in a fashion specific to the functioning of writing.
A written sign is proffered in the absence of the addressee. How is this absence to be qualified? One might say that at the moment when I write, the addressee may be absent from my field of present perception. But is not this absence only a presence that is distant, delayed, or in one form or another idealized in its representation? It does not seem so, or at very least this distance, division, delay, diffé rance must be capable of being brought to a certain absolute degree of absence for the structure of writing, supposing that writing exists, to be constituted. It is here that diffé rance as writing could no longer (be) an (ontological) modification of presence. My "written communication" must, if you will, remain legible despite the absolute appearance of every determined addressee in general for it to function as writing, that is, for it to be legible. It must be repeatableiterablein the absolute absence of the addressee or of the empirically determinable set of addressees. This iterability (iter, once again, comes from itara, other in Sanskrit, and everything that follows may be read as the exploitation of the logic which links repetition to alterity), structures the mark of writing itself, and does so moreover for no matter what type of writing (pictographic, hieroglyphic, ideographic, phonetic, alphabetic, to use the old categories). A writing that was not structurally legibleiterablebeyond the death of the addressee would not be writing. Although all this appears selfevident, I do not want it to be assumed as such, and will examine the ultimate objection that might be made to this proposition. Let us imagine a writing with a code idiomatic enough to have been founded and known, as a secret cipher, only by two "subjects." Can it still be said that upon the death of the addressee, that is, of the two partners, the mark left by one of them is still a writing? Yes, to the extent to which, governed by a code, even if unknown and nonlinguistic, it is constituted, in its identity as a mark, by its iterability in the absence of whoever, and therefore ultimately in the absence of every empirically determinable "subject." This implies that there is no code- an organon of iterability that is structurally secret. The possibility of repeating, and therefore of identifying, marks is implied in every code, making of it a communicable, transmittable, decipherable grid that is iterable for a third party, and thus for any possible user in general. All writing, therefore, in order to be what it is, must be able to function in the radical absence of every empirically determined addressee in general. And this absence is not a continuous modification of presence; it is a break in presence, "death," or the possibility of the "death" of the addressee, inscribed in the structure of the mark (and it is at this point, I note in passing, that the value or effect of transcendentality is linked necessarily to the possibility of writing and of "death" analyzed in this ,way). A perhaps paradoxical consequence of the recourse I am taking to iteration and to the code: the disruption, in the last analysis, of the authority of the code as a finite system of rules; the radical destruction, by the same token, of every context as a protocol of a code. We will come to this in a moment.
What holds for the addressee holds also, for the same reasons, for the sender or the producer. To write is to produce a mark that will constitute a kind of machine that is in turn productive, that my future disappearance in principle will not prevent from functioning and from yielding, and yielding itself to, reading and rewriting. When I say "my future disappearance," I do so to make this proposition more immediately acceptable. I must be able simply to say my disappearance, my nonpresence in general, for example the nonpresence of my meaning, of my intention-to-signify, of my wanting-to-communicate-this, from the emission or production of the mark. For the written to be the written, it must continue to "act" and to be legible even if what is called the author of the writing no longer answers for what he has written, for what he seems to have signed, whether he is provisionally absent, or if he is dead, or if in general he does not support, with his absolutely current and present intention or attention, the plenitude of his meaning, of that very thing which seems to be written "in his name." Here, we could reelaborate the analysis sketched out above for the addressee. The situation of the scribe and of the subscriber, as concerns the written, is fundamentally the same as that of the reader. This essential drifting, due to writing as an iterative structure cut off from all absolute responsibility, from consciousness as the authority of the last analysis, writing orphaned, and separated at birth from the assistance of its father, is indeed what Plato con- demned in the Phaedrus. If Plato's gesture is, as I believe, the philosophical movement par excellence, one realizes what is at stake here. Before specifying the inevitable consequences of these nuclear traits of all writingto wit: (1) the break with the horizon of communication as the com- munication of consciousnesses or presences, and as the linguistic or semantic transport of meaning; (2) the subtraction of all writing from the semantic horizon or the hermeneutic horizon which, at least as a horizon of meaning, lets itself be punctured by writing; (3) the necessity of, in a way, separating the concept of polysemia from the concept I have elsewhere named dissemination, which is also the concept of writing; (4) the disqualification or the limit of the concept of the "real" or "linguistic" context, whose theoretical determination or empirical saturation are, strictly speaking, rendered impossible or insufficient by writing I would like to demonstrate that the recognizable traits of the classicaland narrowly defined concept of writing are generalizable. They would be valid not only for all the orders of "signs" and for all languages in general, but even, beyond semiolinguistic communication, for the entire field of what philosophy would call experience, that is, the experience of Being: so-called "presence."
In effect, what are the essential predicates in a minimal determination of the classical concept of writing?
1. A written sign, in the usual sense of the word, is therefore a mark which remains, which is not exhausted in the present of its inscription~ and which can give rise to an iteration both in the absence of and beyond the presence of the empirically determined subject who, in a given context, has emitted or produced it. This is how, traditionally at least, "written communication" is distinguished from "spoken communication."
2. By the same token, a written sign carries with it a force of breaking with its context, that is, the set of presences which organize the moment of its inscription. This force of breaking is not an accidental predicate, but the very structure of the written. If the issue is one of the so-called "real" context, what I have just proposed is too obvious. Are part of this alleged real context a certain "present" of inscription, the presence of the scriptor in what he has written, the entire environment and horizon of his experience, and above all the intention, the meaning which at a given moment would animate his inscription. By all rights, it belongs to the sign to be legible, even if the moment of its production is irremediably lost, and even if I do not know what its alleged author-scriptor meant consciously and intentionally at the moment he wrote it, that is abandoned it to its essential drifting. Turning now to the semiotic and internal context, there is no less a force of breaking by virtue of its essential iterability; one can always lift a written syntagma from the interlocking chain in which it is caught or given without making it lose every possibility of functioning, if not every possibility of "communicating," precisely. Eventually, one may recognize other such possibilities in it by inscribing or grafting it into other chains. No context can enclose it. Nor can any code, the code being here both the possibility and impossibility of writing, of its essential iterability (repetition/alterity).
3. This force of rupture is due to the spacing which constitutes the written sign: the spacing which separates it from other elements of the internal contextual chain (the always open possibility of its extraction and grafting), but also from all the forms of a present referent (past or to come in the modified form of the present past or to come) that is objective or subjective. This spacing is not the simple negativity of a lack, but the emergence of the mark. However, it is not the work of the negative in the service of meaning, or of the living concept, the telos, which remains relevable and reducible in the Aufhebung of a dialectics.
Are these three predicates, along with the entire system joined to them, reserved, as is so often believed, for "written" communication, in the narrow sense of the word? Are they not also to be found in all language, for example in spoken language, and ultimately in the totality of "experience," to the extent that it is not separated from the field of the mark, that is, the grid of erasure and of difference-of unities of iterability, of unities separable from their internal or external context, and separable from themselves, to the extent that the very iterability which constitutes their identity never permits them to be a unity of self-identity?
Let us consider any element of spoken language, a large or small unity. First condition for it to function: its situation as concerns a certain code; but I prefer not to get too involved here with the concept of code, which does not appear certain to me; let us say that a certain self-identity of this element (mark, sign, etc.) must permit its recognition and repetition. Across empirical variations of tone, of voice, etc., eventually of a certain accent, for example, one must be able to recognize the identity, shall we say, of a signifying form. Why is this identity paradoxically the division or dissociation from itself which will make of this phonic sign a grapheme? It is because this unity of the signifying form is constituted only by its iterability, by the possibility of being repeated in the absence not only of its referent, which goes without saying, but of a determined signified or current intention of signification, as of every present intention of communication. This structural possibility of being severed from its referent or signified (and therefore from communication and its context) seems to me to make of every mark, even if oral, a grapheme in general, that is, as we have seen, the nonpresent remaining of a differential mark cut off from its alleged "production" or origin. And I will extend this law even to all "experience" in general, if it is granted that there is no experience of pure presence, but only chains of differential marks.
Let us remain at this point for a while, and come back to the absence of the referent and even of the signified sense, and therefore of the correlative intention of signification. The absence of the referent is a possibility rather easily admitted today. This possibility is not only an empirical eventuality. It constructs the mark; and the eventual presence of the referent at the moment when it is designated changes nothing about the structure of a mark which implies that it can do without the referent. Husserl, in the Logical Investigations, had very rigorously analyzed this possibility. It is double:
1. A statement whose object is not impossible but only possible might very well be proffered and understood without its real object (its referent) being present, whether for the person who produces the statement, or for the one who receives it. If I say, while looking out the window, "The sky is blue," the statement will be intelligible (let us provisionally say, if you will, communicable), even if the interlocutor does not see the sky; even if I do not see it myself, if I see it poorly, if I am mistaken, or if I wish to trick my interlocutor. Not that it is always thus; but the structure of possibility of this statement includes the capability of being formed and of functioning either as an empty reference, or cut off from its referent. Without this possibility, which is also the general. generalizable, and generalizing iteration of every mark, there would be no statements.
2. The absence of the signified. Husserl analyzes this too. He considers it always possible, even if, according to the axiology and teleology which govern his analysis, he deems this possibility inferior, dangerous, or "critical": it opens the phenomenon of the crisis of meaning. This absence of meaning can be layered according to three forms:
a. I can manipulate symbols without in active and current fashion animating them with my attention and intention to signify (the crisis of mathematical symbolism, according to Husserl). Husserl indeed stresses the fact that this does not prevent the sign from functioning: the crisis or vacuity of mathematical meaning does not limit technical progress. (The intervention of writing is decisive here, as Husserl himself notes in The Origin of Geometry.)
b. Certain statements can have a meaning, although they are without objective signification.

"The circle is square" is a proposition invested with meaning. It has enough meaning for me to be able to judge it false or contradictory (wider- sinnig and not sinnlos, says Husserl). I am placing this example under the category of the absence of the signified, although the tripartition signifier/signified/referent does not pertinently account for Husserl's analysis. "Square circle" marks the absence of a referent, certainly, and also the absence of a certain signified, but not the absence of meaning. In these two cases, the crisis of meaning (nonpresence in general, absence as the absence of the referentof perception or of meaningof the actual intention to signify) is always linked to the essential possibility of writing; and this crisis is not an accident, a factual and empirical anomaly of spoken language, but also the positive possibility and "internal" structure of spoken language, from a certain outside.
c. Finally there is what Husserl calls Sinnlosigkeit or agrammaticality. For example, "green is or" or "abracadabra." In the latter cases, as far as Husserl is concerned, there is no more language, or at least no more "logical" language, no more language of knowledge as Husserl understands it in teleological fashion, no more language attuned to the possibility of the intuition of objects given in person and signified in truth. Here, we are confronted with a decisive difficulty. Before pausing over it, I note, as a point which touches upon our debate on communication, that the primary interest of the Husserlian analysis to which I am referring here (precisely by extracting it, up to a certain point, from its teleological and metaphysical context and horizon, an operation about which we must ask how and why it is always possible) is that it alleges, and it seems to me arrives at, a rigorous dissociation of the analysis of the sign or expression (Ausdruck) as a signifying sign, a sign meaning something (bedeutsame Zeichen from all phenomena of communication.
Let us take once more the case of agrammatical Sinnlosigkeit. What interests Husserl in the Logical Investigations is the system of rules of a universal grammar, not from a linguistic point of view, but from a logical and epistemological point of view. In an important note from the second edition,7 he specifies that from his point of view the issue is indeed one of a purely logical grammar, that is the universal conditions of possibility for a morphology of significations in the re- lation of knowledge to a possible object, and not of a pure grammar in general, considered from a psychological or linguistic point of view. Therefore, it is only in a context determined by a will to know, by an epistemic intention, by a "conscious relation to the object as an object of knowledge within a horizon of truth it is in this oriented contextual field that "green is or" is unacceptable. But, since "green is or" or "abracadabra" do not constitute their context in themselves, nothing prevents their functioning in another context as signifying marks (or indices, as Husserl would say). Not only in the contingent case in which, by means of the translation of German into French "le vert est ou" might be endowed with grammaticality, ou (oder, or) becoming when heard où ' (where, the mark of place): "Where has the green (of the grass) gone (le vert est où )?," "Where has the glass in which I wished to give you something to drink gone (le verre est où )." But even "green is or" still signifies an example of agrammaticality. This is the possibility on which I wish to insist: the possibility of extraction and of citational grafting which belongs to the structure of every mark, spoken or written, and which constitutes every mark as writing even before and outside every horizon of semiolinguistic communication; as writing, that is, as a pos- sibility of functioning cut off, at a certain point, from its "original" meaning and from its belonging to a saturable and constraining context. Every sign, linguistic or nonlinguistic, spoken or written (in the usual sense of this opposition), as a small or large unity, can be cited, put between quotation marks; thereby it can break with every given context, and engender infinitely new contexts in an absolutely nonsaturable fashion. This does not suppose that the mark is valid outside its context, but on the contrary that there are only contexts without any center of absolute anchoring. This citationality, duplication, or duplicity, this iterability of the mark is not an accident or an anomaly, but is that (normal/ abnormal) without which a mark could no longer even have a so-called "normal" functioning. What would a mark be that one could not cite? And whose origin could not be lost on the way?

The Parasites. Iter, of Writing: That Perhaps It Does Not Exist

I now propose to elaborate this question a little further with help from - but in order to go beyond it too - the problematic of the performative. It has several claims to our interest here.
1. Austin, by his emphasis on the analysis of perlocution and especially illocution, indeed seems to consider acts of discourse only as acts of communication. This is what his French translator notes, citing Austin himself: "It is by comparing the constative utterance (that is, the classical 'assertion,' most often conceived as a true or false 'description' of the facts) with the performative utterance (from the English performative, that is, the utterance which allows us to do something by means of speech itself) that Austin has been led to consider every utterance worthy of the name (that is, destined to communicate which would exclude, for example, reflex-exclamations) as being first and foremost a speech act produced in the total situation in which the interlocutors find themselves ( How to Do Things With Words, p. 147)" .
2. This category of communication is relatively original. Austin's notions of illocution and perlocution do not designate the transport or passage of a content of meaning, but in a way the communication of an original movement (to be defined in a general theory of action), an operation, and the production of an effect. To communicate, in the case of the performative, if in all rigor and purity some such thing exists (for the moment I am placing myself within this hypothesis and at this stage of the analysis), would be to communicate a force by the impetus of a mark. 3. Differing from the classical assertion, from the constative utterance, the performative's referent (although the word is inappropriate here, no doubt, such is the interest of Austin's finding) is not outside it, or in any case preceding it or before it. It does not describe something which exists outside and before language. It produces or transforms a situation, it operates; and if it can be said that a constative utterance also effectuates something and always transforms a situation, it cannot be said that this constitutes its internal structure, its manifest function or destination, as in the case of the performative.
4. Austin had to free the analysis of the performative from the authority of the value of truth, from the opposition true/false, at least in its classical form, occasionally substituting for it the value of force, of difference of force (illocutionary or perlocutionary force). (It is this, in a thought which is nothing less than Nietzschean, which seems to me to beckon toward Nietzsche; who often recognized in himself a certain affinity with a vein of English thought.)
For these four reasons, at least, it could appear that Austin has exploded the concept of communication as a purely semiotic, linguistic, or symbolic concept. The performative is a "communication" which does not essentially limit itself to transporting an already constituted semantic content guarded by its own aiming at truth (truth as an unveiling of that which is in its Being, or as an adequation between a judicative statement and the thing itself).
And yet - at least this is what I would like to attempt to indicate now - all the difficulties encountered by Austin in an analysis that is patient, open, aporetic, in constant transformation, often more fruitful in the recognition of its impasses than in its positions, seem to me to have a common root. It is this: Austin has not taken into account that which in the structure of locution (and therefore before any illocutory or perlocutory determination) already bears within itself the system of predicates that I call graphematic in general, which therefore confuses all the ulterior oppositions whose pertinence, purity, and rigor Austin sought to establish in vain. In order to show this, I must take as known and granted that Austin's analyses permanently demand a value of context, and even of an exhaustively determinable context, whether de jure or teleologically; and the long list of "infelicities" of variable type which might affect the event of the performative always returns to an element of what Austin calls the total context. One of these essential elementsand not one among othersclassically remains consciousness, the conscious presence of the intention of the speaking subject, for the totality of his locutory act. Thereby, performative communication once more becomes the communication of an intentional meaning, even if this meaning has no referent in the form of a prior or exterior thing or state of things. This conscious presence of the speakers or receivers who participate in the effecting of a performative, their conscious and intentional presence in the totality of the operation, implies teleologically that no remainder escapes the present totalization. No remainder, whether in the definition of the requisite conventions, or the internal and linguistic context, or the grammatical form or semantic determination of the words used; no irreducible polysemia, that is no "dissemination" escaping the horizon of the unity of meaning. I cite the first two lectures of How to Do Things with Words: "Speaking generally, it is always necessary that the circumstances in which the words are uttered should be in some way, or ways, appropriate, and it is very commonly necessary that either the speaker himself or other persons should also perform certain other actions, whether 'physical' or 'mental' actions or even acts of uttering further words. Thus, for naming the ship, it is essential that I should be the person appointed to name her, for (Christian) marrying, it is essential that I should not be already married with a wife living, sane and undivorced, and so on; for a bet to have been made, it is generally necessary for the offer of the bet to have been accepted by a taker (who must have done something, such as to say 'Done'), and it is hardly a gift if I say 'I give it you' but never hand it over. So far, well and good" (pp. 8-9).
In the Second Lecture, after having in his habitual fashion set aside the grammatical criterion, Austin examines the possibility and origin of the failures or "infelicities" of the performative utterance. He then defines the six indispensable, if not sufficient, conditions for success. Through the values of "conventionality," "correctness," and "completeness" that intervene in the definition, we necessarily again find those of an exhaustively definable context, of a free consciousness present for the totality of the operation, of an absolutely full meaning that is master of itself: the teleological jurisdiction of a total field whose intention remains the organizing center (pp. 12-16). Austin's procedure is rather remarkable, and typical of the philosophical tradition that he prefers to have little to do with. It consists in recognizing that.the possibility of the negative (here, the infelicities) is certainly a structural possibility, that failure is an essential risk in the operations under consideration; and then, with an almost immediately simultaneous gesture made in the name of a kind of ideal regulation, an exclusion of this risk as an accidental, exterior one that teaches us nothing about the language phenomenon under consideration. This is all the more curious, and actually rigorously untenable, in that Austin denounces with irony the "fetish" of opposition value/fact.
Thus, for example, concerning the conventionality without which there is no performative, Austin recognizes that all conventional acts are exposed to failure: "It seems clear in the first place that, although it has excited us (or failed to excite us) in connexion with certain acts which are or are in part acts of uttering words, infelicity is an ill to which all acts are heir which have the general character of ritual or ceremonial, all conventional acts: not indeed that every/ ritual is liable to every form of infelicity (but then nor is every performative utterance)" (pp. 18-19; Austin's italics). Aside from all the questions posed by the very historically sedimented notion of "convention," we must notice here: (1) That in this specific place Austin seems to consider only the conventionality that forms the circumstance of the statement, its contextual surroundings, and not a certain intrinsic conventionality of that which constitutes locution itself, that is, everything that might quickly be summarized under the problematic heading of the "arbitrariness of the sign" extends, aggravates, and radicalizes the difficulty. Ritual is not an eventuality, but, as iterability, is a structural characteristic of every mark. (2) That the value of risk or of being open to failure, although it might, as Austin recognizes, affect the totality of conventional acts, is not examined as an essential predicate or law. Austin does not ask himself what consequences derive from the fact that something possiblea possible riskis always possible, is somehow a necessary possibility. And if, such a necessary possibility of failure being granted, it still constitutes an accident. What is a success when the possibility of failure continues to constitute its structure?
Therefore the opposition of the success/failure of illocution or perlocution here seems quite insufficient or derivative. It presupposes a general and systematic elaboration of the structure of locution which avoids the endless alternation of essence and accident. Now, it is very significant that Austin rejects this "general theory," defers it on two occasions, notably in the Second Lecture. I leave aside the first exclusion. ("I am not going into the general doctrine here: in many such cases we may even say the act was 'void' (or voidable for duress or undue influence) and so forth. Now I suppose that some very general high-level doctrine might embrace both what we have called infelicities and these other 'unhappy' features of the doing of actionsin our case actions containing a performative utterancein a single doctrine: but we are not including this kind of unhappinesswe must just remember, though, that features of this sort can and do constantly obtrude into any case we are discussing. Features of this sort would normally come under the heading of 'extenuating circumstances' or of 'factors reducing or abrogating the agent's responsibility,' and so on"; p. 21; my italics). The second gesture of exclusion concerns us more directly here. In question, precisely, is the possibility that every performative utterance (and a priori every other utterance) may be "cited." Now, Austin excludes this eventuality (and the general doctrine which would account for it) with a kind of lateral persistence, all the more significant in its off-sidedness. He insists upon the fact that this possibility remains abnormal, parasitical, that it constitutes a kind of extenuation, that is an agony of language that must firmly be kept at a distance, or from which one must resolutely turn away. And the concept of the "ordinary," and therefore of "ordinary language," to which he then has recourse is indeed marked by this exclusion. This makes it all the more problematic, and before demonstrating this, it would be better to read a paragraph from this Second Lecture:
"(ii) Secondly, as utterances our performatives are also heir to certain other kinds of ill which infect all utterances. And these likewise, though again they might be brought into a more general account, we are deliberately at present excluding. I mean, for example, the following: a performative utterance will, for example, be in a peculiar way hollow or void if said by an actor on the stage, or if introduced in a poem, or spoken in soliloquy. This applies in a similar manner to any and every utterancea sea-change in special circumstances. Language in such circumstances is in special waysintelligiblyused not seriously [I am italicizing here, J.D.], but in ways parasitic upon its normal useways which fall under the doctrine of the etiolations of language. All this we are excluding from consideration. Our performative utterances, felicitous or not, are to be understood as issued in ordinary circumstances" (pp. 21-22). Austin therefore excludes, along with what he calls the sea-change, the "non-serious," the "parasitic," the "etiolations," the "non-ordinary" (and with them the general theory which in accounting for these oppositions no longer would be governed by them), which he nevertheless recognizes as the possibility to which every utterance is open. It is also as a "parasite" that writing has always been treated by the philosophical tradition, and the rapprochement, here, is not at all fortuitous.
Therefore, I ask the following question: is this general possibility necessarily that of a failure or a trap into which language might fall, or in which language might lose itself, as if in an abyss situated outside or in front of it? What about parasitism? In other words, does the generality of the risk admitted by Austin surround language like a kind of ditch, a place of external perdition into which locution might never venture, that it might avoid by remaining at home, in itself, sheltered by its essence or telos? Or indeed is this risk, on the contrary, its internal and positive condition of possibility? this outside its inside? the very force and law of its emergence? In this last case, what would an "ordinary" language defined by the very law of language signify? Is it that in excluding tile general theory of this structural parasitism, Austin, who nevertheless pretends to describe the facts and events of ordinary language, makes us accept as ordinary a teleological and ethical determination (the univocality of the statement which he recognizes elsewhere remains a philosophical "ideal," pp. 72-73 the self-presence of a total context, the transparency of intentions, the presence of meaning for the absolutely singular oneness of a speech act, etc.)?
For, finally, is not what Austin excludes as anomalous, exceptional, "nonserious," that is , citation (on the stage, in a poem, or in a soliloquy), the determined modification of a general citationality - or rather, a general iterability - without which there would not even be a "successful" performative? Such that - a paradoxical, but inevitable consequence - a successful performative is necessarily an "impure" performative, to use the word that Austin will employ later on when he recognizes that there is no "pure" performative.
Now I will take things from the side of positive possibility, and no longer only from the side of failure: would a performative statement be possible if a citational doubling did not eventually split, dissociate from itself the pure singularity of the event? I am asking the question in this form in order to forestall an objection. In effect, it might be said to me: you cannot allege that you account for the so- called graphematic structure of locution solely on the basis of the occurrence of failures of the performative, however real these failures might be, and however effective or general their possibility. You cannot deny that there are also performatives that succeed, and they must be accounted for: sessions are opened, as Paul Ricoeur did yesterday, one says "I ask a question," one bets, one challenges, boats are launched, and one even marries occasionally. Such events, it appears, have occurred. And were a single one of them to have taken place a single time, it would still have to be accounted for.
I will say "perhaps." Here, we must first agree upon what the "occurring" or the eventhood of an event consists in, when the event supposes in its allegedly present and singular intervention a statement which in itself can be only of a repetitive or citational structure, or rather, since these last words lead to confusion, of an iterable structure. Therefore, I come back to the point which seems fundamental to me, and which now concerns the status of the event in general, of the event of speech or by speech, of the strange logic it supposes, and which often remains unperceived.
Could a performative statement succeed if its formulation did not repeat a "coded" or iterable statement, in other words if the expressions I use to open a meeting, launch a ship or a marriage were not identifiable as conforming to an iterable model, and therefore if they were not identifiable in a way as "citation"? Not that citationality here is of the same type as in a play, a philosophical reference, or the recitation of a poem. This is why there is a relative specificity, as Austin says, a "relative purity" of performatives. But this relative purity is not constructed against citationality or iterability, but against other kinds of iteration within a general iterability which is the effraction into the allegedly rigorous purity of every event of discourse or every speech act. Thus, one must less oppose citation or iteration to the noniteration of an event, than construct a differential typology of citation, supposing that this is a tenable project that can give rise to an exhaustive program, a question I am holding off on here. In this typology, the category of intention will not disappear; it will have its place, but from this place it will no longer be able to govern the entire scene and the entire system of utterances. Above all, one then would be concerned with different types of marks or chains of iterable marks, and not with an opposition between citational statements on the one hand, and singular and original statement-events on the other. The first consequence of this would be the following: given this structure of iteration, the intention which animates utterance will never be completely present in itself and its content. The iteration which structures it a priori introduces an essential dehiscence and demarcation.
One will no longer be able to exclude, as Austin wishes, the "non-serious," the oratio obliqua, from "ordinary" language. And if it is alleged that ordinary language, or the ordinary circumstance of language, excludes citationality or general iterability, does this not signify that the "ordinariness" in question, the thing and the notion, harbors a lure, the teleological lure of consciousness whose motivations, indestructible necessity, .and systematic. effects remain to be analyzed? Especially since this essential absence of intention for the actuality of the statement, this structural unconsciousness if you will, prohibits every saturation of a context. For a context to be exhaustively determinable, in the sense demanded by Austin, it at least would be necessary for the conscious intention to be totally present and actually transparent for itself and others, since it is a determining focal point of the context. The concept of or quest for the "context" therefore seems to suffer here from the same theoretical and motivated uncertainty as the concept of the "ordinary," from the same metaphysical origins: an ethical and teleological discourse of consciousness. This time, a reading of the connotations of Austin's text would confirm the reading of its descriptions; I have just indicated the principle of this reading.
Diffé rance, the irreducible absence of intention or assistance from the performative statement, from the most "event-like" statement possible, is what authorizes me, taking into account the predicates mentioned just now, to posit the general graphematic structure of every "communication." Above all, I will not conclude from this that there is no relative specificity of the effects of consciousness, of the effects of speech (in opposition to writing in the traditional sense), that there is no effect of. the performative, no effect of ordinary language, no effect of presence and of speech acts It is simply that these effects do not exclude what is generally opposed to them term by term, but on the contrary presuppose it in dyssemtrical fashion, as the general space of their possibility.

Signatures

This general space is first of all spacing as the disruption of presence in the mark, what here I am calling writing That all the difficulties encountered by Austin intersect at the point at which both presence and writing are in question, is indicated for me by a passage from the Fifth Lecture in which the divided agency of the legal signature emerges.
Is it by chance that Austin must note at this point: "I must explain again that we are floundering here To feel the firm ground of prejudice slipping away is exhilarating, but brings its revenges" (p 61) Only a little earlier an "impasse" had appeared, the impasse one comes to each time "any single simple criterion of grammar or vocabulary" is sought in order to distinguish between performative or constative statements. (I must say that this critique of linguisticism and of the authority of the code, a critique executed on the basis of an analysis of language, is what most interested me and convinced me in Austin's enterprise.) He then attempts to justify, with nonlinguistic reasons, the preference he has shown until now for the forms of the first-person present indicative in the active voice in the analysis of the performative. The justification of last appeal is that in these forms reference is made to what Austin calls the source (origin) of the utterance. This notion of the source whose stakes are so evidentoften reappears in what follows, and it governs the entire analysis in the phase we are examining. Not only does Austin not doubt that the source of an oral statement in the first person present indicative (active voice) is present in the utterance and in the statement, (I have attempted to explain why we had reasons not to believe so), but he no more doubts that the equivalent of this link to the source in written utterances is simply evident and ascertained in the signature: "Where there is not, in the verbal formulation of the utterance, a reference to the person doing the uttering, and so the acting, by means of the pronoun 'I' (or by his personal name), then in fact he will be 'referred to' in one of two ways:
"(a) In verbal utterances, by his being the person who does the utteringwhat we may call the-utterance-origin which is used generally in any system of verbal reference-co-ordinates.
"(b) In written utterances (or 'inscriptions'), by his appending his signature (this has to be done because, of course, written utterances are not tethered to their origin in the way spoken ones are)" (pp. 60-61). Austin acknowledges an analogous function in the expression "hereby" used in official protocols.
Let us attempt to analyze the signature from this point of view, its relation to the present and to the source. I take it as henceforth implied in this analysis, that all the established predicates will hold also for the oral "signature" that is or allegedly is, the presence of the "author" as the "person who does the uttering," as the "origin," the source, in the production of the statement.
By definition, a written signature implies the actual or empirical nonpresence of the signer. But, it will be said, it also marks and retains his having-been present in a past now, which will remain a future now, and therefore in a now in general, in the transcendental form of nowness (maintenance). This general maintenance is somehow inscribed, stapled to present punctuality, always evident and always singular, in the form of the signature. This is the enigmatic originality of every paraph. For the attachment to the source to occur, the absolute singularity of an event of the signature and of a form of the signature must be retained: the pure reproducibility of a pure event.
Is there some such thing? Does the absolute singularity of an event of the signature ever occur? Are there signatures?
Yes, of course, every day. The effects of signature are the most ordinary thing in the world. The condition of possibility for these effects is simultaneously once again, the condition of their impossibility, of the impossibility of their rigorous purity. In order to function, that is, in order to be legible, a signature must have a repeatable, iterable, imitable form; it must be able to detach itself from the present and singular intention of its production. It is its sameness which, in altering its identity and singularity, divides the seal. I have already indicated the principle of the analysis above. To conclude this very dry discourse:
1. As writing, communication, if one insists upon maintaining the word, is not the means of transport of sense, the exchange of intentions and meanings, the discourse and "communication of consciousnesses." We are not witnessing an end of writing which, to follow McLuhan's ideological representation, would restore a transparency or immediacy of social relations; but indeed a more and more powerful historical unfolding of a general writing of which the system of speech, consciousness, meaning, presence, truth, etc., would only be an effect, to be analyzed as such. It is this questioned effect that I have elsewhere called logocentrism .
2. The semantic horizon which habitually governs the notion of communication is exceeded or punctured by the intervention of writing, that is of a dissemination which cannot be reduced to a polysemia. Writing is read, and "in the last analysis" does not give rise to a hermeneutic deciphering, to the decoding of a meaning or truth.
3. Despite the general displacement of the classical, "philosophical," Western, etc., concept of writing, it appears necessary, provisionally and strategically, to conserve the old name. This implies an entire logic of paleonymy which I do not wish to elaborate here. Very schematically: an opposition of metaphysical concepts (for example, speech/writing, presence/absence, etc.) is never the face-to-face of two terms, but a hierarchy and an order of subordination. Deconstruction cannot limit itself or proceed immediately to a neutralization: it must, by means of a double gesture, a double science, a double writing, practice an overturning of the classical opposition and a general displacement of the system. It is only on this condition that deconstruction will provide itself the means with which to intervene in the field of oppositions that it criticizes, which is also a field of nondiscursive forces. Each concept, moreover, belongs to a systematic chain, and itself constitutes a system of predicates. There is no metaphysical concept in and of itself. There is a work - metaphysical or not - on conceptual systems. Deconstruction does not consist in passing from one concept to another, but in overturning and displacing a conceptual order, as well as the nonconceptual order with which the conceptual order is articulated. For example, writing, as a classical concept, carries with it predicates which have been subordinated, excluded, or held in reserve by forces and according to necessities to be analyzed. It is these predicates (I have mentioned some) whose force of generality, generalization, and generativity find themselves liberated, grafted onto a "new" concept of writing which also corresponds to whatever always has resisted the former organization of forces, which always has constituted the remainder irreducible to the dominant force which organized the - to say it quickly - logocentric hierarchy. To leave to this new concept the old name of writing is to maintain the structure of the graft, the transition and indispensable adherence to an effective intervention in the constituted historic field. And it is also to give their chance and their force, their power of communication, to everything played out in the operations of deconstruction.
But what goes without saying will quickly have been understood, especially in a philosophical colloquium: as a disseminating operation separated from presence (of Being) according to all its modifications, writing, if there is any, perhaps communicates, but does not exist, surely. Or barely, hereby, in the form of the most improbable signature.



(Remark: the - written - text of this - oral - communication was to have been addressed to the Association of French Speaking Societies of Philosophy before the meeting. Such a missive therefore had to be signed. Which I did, and counterfeit here. Where? There. J.D )

::source: http://www.hydra.umn.edu/derrida/sec.html

Selengkapnya....

Excerpt from Différance by Jacques Derrida

trans Alan Bass, Margins of Philosophy, Chicago:
University of Chicago Press 1982, 3-27; footnotes are not reproduced

I will speak, therefore, of a letter.

Of the first letter, if the alphabet, and most of the speculations which have ventured into it, are to be believed.

I will speak, therefore, of the letter a, this initial letterwhich it apparently has been necessary to insinuate, here and there, into the writing of the word difference; and to do so in the course of a writing on writing, and also of a writing within writing whose different trajectories thereby find themselves, at certain very determined points, intersecting with a kind of gross spelling mistake, a lapse in the discipline and law which regulate writing and keep it seemly. One can always, de facto or de jure, erase or reduce this lapse in spelling, and find it (according to situations to be analyzed each time, although amounting to the same), grave or unseemly, that is, to follow the most ingenuous hypothesis, amusing. Thus, even if one seeks to pass over such an infraction in silence, the interest that one takes in it can be recognized and situated in advance as pre-scribed by the mute irony, the inaudible misplacement, of this literal permutation. One can always act as if it made no difference. And I must state here and now that today's discourse will be less a justification of, and even less an apology for, this silent lapse in spelling, than a kind of insistent intensification of its play.

On the other hand, I will have to be excused if I refer, at least implicitly, to some of the texts I have ventured to publish. This is precisely because I would like to attempt, to a certain extent, and even though in principle and in the last analysis this is impossible, and impossible for essential reasons, to reassemble in a sheaf the different directions in which I have been able to utilize what I would call provisionally the word or concept of différance, or rather to let it impose itself upon me in its neographism, although as we shall see, différance is literally neither a word nor a concept. And I insist upon the word sheaf for two reasons. On the one hand, I will not be concerned, as I might have been, with describing a history and narrating its stages, text by text, context by context, demonstrating the economy that each time imposed this graphic disorder; rather, I will be concerned with the general system of this economy. On the other hand, the word sheaf seems to mark more appropriately that the assemblage to be proposed has the complex structure of a weaving, an interlacing which permits the different threads and different lines of meaning - or of force - to go off again in different directions, just as it is always ready to tie itself up with others.

Therefore, preliminarily, let me recall that this discreet graphic intervention, which neither primarily nor simply aims to shock the reader or the grammarian, came to be formulated in the course of a written investigation of a question about writing. Now it happens, I would say in effect, that this graphic difference (a instead of e), this marked difference between two apparently vocal notations, between two vowels, remains purely graphic: it is read, or it is written, but it cannot be heard. It cannot be apprehended in speech, and we will see why it also bypasses the order of apprehension in general. It is offered by a mute mark, by a tacit monument, I would even say by a pyramid, thinking not only of the form of the letter when it is printed. as a capital, but also of the text in Hegel's Encyclopedia in which the body of the sign is compared to the Egyptian Pyramid. The a of differance, thus, is not heard; it remains silent, secret and discreet as a tomb: oikesis. And thereby let us anticipate the delineation of a site, the familial residence and tomb of the proper' in which is produced, by différance, the economy of death. This stone - provided that one knows how to decipher its inscription - is not far from announcing the death of the tyrant.

And it is a tomb that cannot even be made to resonate. In effect, I cannot let you know through my discourse, through the speech being addressed at this moment to the French Society of Philosophy, what difference I am talking about when I talk about it. I can speak of this graphic difference only through a very indirect discourse on writing, and on the condition that I specify, each time, whether I am referring to difference with an e or différance with an a. Which will not simplify things today, and will give us all, you and me, a great deal of trouble, if, at least, we wish to understand each other. In any event, the oral specifications that I will provide - when I say "with an e" or "with an a" - will refer uncircumventably to a written text that keeps watch over my discourse, to a text that I am holding in front of me, that I will read, and toward which I necessarily will attempt to direct your hands and your eyes. We will be able neither to do without the passage through a written text, nor to avoid the order of the disorder produced within it - and this, first of all, is what counts for me.

The pyramidal silence of the graphic difference between the e and the a can function, of course, only within the system of ptionetic writing, and within the language and grammar which is as historically linked to ptionetic writing as it is to the entire culture inseparable from phonetic writing. But I would say that this in itself - the silence that functions within only a so-called phonetic writing - quite opportunely conveys or reminds us that, contrary to a very widespread prejudice, there is no phonetic writing. There is no purely and rigorously phonetic writing. So-called phonetic writing, by all rights and in principle, and not only due to an empirical or technical insufficiency, can function only by admitting into its system nonphonetic "signs" (punctuation, spacing, etc.). And an examination of the structure and necessity of these nonphonetic signs quickly reveals that they can barely tolerate the concept of the sign itself. Better, the play of difference, which, as Saussure reminded us, is the condition for the possibility and functioning of every sign, is in itself a silent play. Inaudible is the difference between two phonemes which alone permits them to be and to operate as such. The inaudible opens up the apprehension of two present phonemes such as they present themselves. If there is no purely phonetic writing, it is that there is no purely phonetic phone. The difference which establishes phonemes and lets them be heard remains in and of itself inaudible, in every sense of the word.

It will be objected, for the same reasons, that graphic difference itself vanishes into the night, can never be sensed as a full term, but rather extends an invisible relationship, the mark of an inapparent relationship between two spectacles. Doubtless. But, from this point of view, that the difference marked in the "differ( )nce" between the e and the a eludes both vision and hearing perhaps happily suggests that here we must be permitted to refer to an order which no longer belongs to sensibility. But neither can it belog to intelligibility, to the ideality which is not fortuitously affiliated with the objectivity of theorein or understanding. Here, therefore, we must let ourselves refer to an order that resists the opposition, one of the founding oppositions of philosophy, between the sensible and the intelligible. The order which resists this opposition, and resists it because it transports it, is announced in a movement of différance (with an a) between two differences or two letters, a différance which belongs neither to the voice nor to writing in the usual sense, and which is located, as the strange space that will keep us together here for an hour, between speech and writing, and beyond the tranquil familarity which links us to one and the other, occasionally reassuring us in our illusion that they are two.

What am I to do in order to speak of the a of différance? It goes without saying that it cannot be exposed. One can expose only that which at a certain moment can become present, manifest, that which can be shown, presented as something present, a being-present in its truth, in the truth of a present or the presence of the present. Now if différance is (and I also cross out the 'is') what makes possible the presentation of the being-present, it is never presented as such. It is never offered to the present. Or to anyone. Reserving itself, not exposing itself, in regular fashion it exceeds the order of truth at a certain precise point, but without dissimulating itself-as something, as a mysterious being, in the occult of a nonknowledge or in a hole with indeterminable borders (for example, in a topology of castration). In every exposition it would be exposed to disappearing as disappearance. It would risk appearing: disappearing.

So much so that the detours, locudons, and syntax in which I will often have to take recourse will resemble those of negative theology, occasionally even to the point of being indistinguishable from negative theology. Already we have had to delineate that différance is not, does not exist, is not a present-being (on) in any form; and we will be led to delineate also everything that it is not, that is, everything; and consequently that it has neither existence nor essence. It derives from no category of being, whether present or absent. And yet those aspects of différance which are thereby delineated are not theological, not even in the order of the most negative of negative theologies, which are always:': concerned with disengaging a superessentiality beyond the finite categories of essence and existence, that is, of presence, and always hastening to recall that God is refused the predicate of existence, only in order to acknowledge his superior, inconceivable, and ineffable mode of being. Such a development is not in question here, and this will be confirmed progressively. différance is not only irreducible to any ontological or theological - ontotheological - reappropriation, but as the very opening of the space in which ontotheology - philosophy - produces its system and its history, it includes ontotheology, inscribing it and exceeding it without return.

For the same reason there is nowhere to begin to trace the sheaf or the graphics of différance. For what is put into question is precisely the quest for a rightful beginning, an absolute point of departure, a principal responsibility. The problematic of writing is opened by putting into question the value arkhe. What I will propose here will not be elaborated simply as a philosophical discourse operating according to principles, postulates, axioms or definitions, and proceeding along the discursive lines of a linear order of reasons. In the delineation of différance everything is strategic and adventurous. Strategic because no transcendent truth present outside the field of writing can govern theologically the totality of the field. Adventurous because this strategy is not a simple strategy in the sense that strategy orients tactics according to a final goal, a telos or theme of domination, a mastery and ultimate reappropriation of the development of the field. Finally, a strategy without finality, what might be called blind tactics or emperical wandering if the value of empiricism did not itself acquire its entire meaning in its opposition to philosophical responsibility. If there is a certain wandering in the tracing of différance, it no more follows the lines of philosophy of its symmetrical and integral inverse, empirical-logical discourse. The concept of play keeps itself beyond this opposition, announcing, on the eve of philosophy and beyond it, the unity of chance and necessity in calculations without end.

Also, by decision and as a rule of the game, if you will, turning these propositions back on themselves, we will be introduced to the thought of différance by the theme of strategy or the stratagem. By means of this solely strategic justification, I wish to underline that the efficacity of the thematic of différance may very well, indeed must, one day be superseded, lending itself not only to its own replacement, at least to enmeshing itself in a chain that in truth it never will have governed. Whereby, once again,it is not theological.

I would say, first off, that différance, which is neither a word nor a concept, strategically seemed to me the most proper one to think, if not to master - thought, here, being that which is maintained in a certain necessary relationship with the structural limits of mastery - what is most irreducible about our "era." Therefore I am starting, strategically, from the place and the time in which "we" are, even though in the last analysis my opening is not justifiable, since it is only on the basis of différance and its "history" that we can allegedly know who and where "we" are, and what the limits of an "era" might be.

Even though différance is neither a word nor a concept, let us nevertheless attempt a simple and approximate semantic analysis that will take us to within sight of what is at stake.

We know that the verb differer (Lahn verb differre) has two meanings which seem quite distinct; for example in Littré they are the object of two separate articles. In this sense the Latin differre is not simply a translation of the Greek diapherein, and this will not be without consequences for us, linking our discourse to a particular language, and to a language that passes as less philosophical, less originally philosophical than the other. For the distribution of meaning in the Greek diapherein does not comport one of the two motifs of the Latin differre, to wit, the action of putting off until later, of taking into account, of taking account of time and of the forces of an operation that implies an economical calculation, a detour, a delay, a relay, a reserve, a representaton - concepts that I would summarize here in a word I have never used but that could be inscribed in this chain: temporization. Differer in this sense is to temporize, to take recourse consciously or unconsclously, in the temporal and temporizing mediation of a detour that suspends the accomplishment nor fulfillment of "desire" or "will," and equally effects this suspension in a mode that annuls or tempers its own effect. And we will see, later how this temporization is also temporalization and the becoming-time of space and the becoming-space of time, the "originary constitution" of time and space, as metaphysics or transcendental phenomenology would say, to use the language that here is criticized and displaced.

The other sense of differer is the more common and identifiable one: to be not identical, to be other, discernible, etc. When dealing with differen(ts)(ds), a word that can be written with a final ts or a final ds, as you will, whether it is a queshon of dissimilar otherness or of allergic and polemical otherness, an interval, a distance, spacing, must be produced between the elements other, and be produced with a certain perseverance in repetition.

Now the word difference (with an e) can never refer either to differer as temporization or to differends as polemos. Thus the word différance (with an a) is to compensate economically - this loss of meaning, for différance can refer simultaneously to the entire configuration of its meanings. It is immediately and irreducibly polysemic, which will not be indifferent to the economy of my discourse here. In its polysemia this word, of course, like any meaning must defer to the discourse in which it occurs, its interpretive context; but in a way it defies deriving from the present participle (differant), thereby bringing us close to the very action of the verb differer, before it has even produced an effect constituted as something different or as difference (with an e). In a conceptuality adhering to classical strictures "e;différance"e; would be said to designate constitutive, productive, and originary causality, the process of scission and division which would produce or constitute different things or differences. But because it brings us close to the infinitive and active kernel of differer, differance (with an a) neutralizes what the infinitive denotes as simply active, just as mouvance in our language does not simply mean the fact of moving, of moving oneself or of being moved. No more is resonance the act of resonating. We must consider that in the usage of our language the ending -ance remains undecided between the active and the passive. And we will see why that which lets itself be designated différance is neither simply active nor simply passive, announcing or rather recalling something like the middle voice, saying an operation that is not an operation, an operation that cannot be conceived either as passion or as the action of a subject on an object, or on the basis of the categories of agent or patient, neither on the basis of nor moving toward any of these terms. For the middle voice, a certain non-transitivity, may be what philosophy, at its outset, distributed into an active and a passive voice, thereby constituting itself by means of this repression.

différance as temporization, différance as spacing. How are they to be joined?

Let us start, since we are already there, from the problematic of the sign and of writing. The sign is usually said to be put in the place of the thing itself, the present thing, "thing" here standing equally for meaning or referent. The sign represents the present in its absence. It takes the place of the present. When we cannot grasp or show the thing, state the present, the being-present, when the present cannot be presented, we signify, we go through the detour of the sign. We take or give signs. We signal. The sign, in this sense, is deferred presence. Whether we are concerned with the verbal or the written sign, with the monetary sign, or with electoral delegation and political representation, the circulation of signs defers the moment in which we can encounter the thing itself make it ours, consume or expend it, touch it, see it, intuit its presence. What I am describing here in order to define it is the classically determined structure of the sign in all the banality of its characteristics - signification as the différance of temporization. And this structure presupposes that the sign, which defers presence, is conceivable only on the basis of the presence that it defers and moving toward the deferred presence that it aims to reappropriate. According to this classical semiology, the substitution of the sign for the thing itself is both secondary and provisional: secondary due to an original and lost presence from which the sign thus derives; provisional as concerns this final and missing presence toward which the sign in this sense is a movement of mediation.

In attempting to put into question these traits of the provisional secondariness of the subshtute, one would come to see something like an originary différance; but one could no longer call it originary or final in the extent to which the values of origin, archi-, telos, eskhaton, etc. have always denoted presence - ousia, parousia. To put into question the secondary and provisional characteristics of the sign, to oppose to them an "originary" différance, therefore would have two consequences.

1. One could no longer include différance in the concept of the sign, which always has meant the representation of a presence, and has been constituted in a system (thought or language) governed by and moving toward presence.

2. And thereby one puts into question the authority of presence, or of its simple symmetrical opposite, absence or lack. Thus one questions the limit which has always constrained us, which still constrains us - as inhabitants of a language and a system of thought - to formulate the meaning of Being in general as presence or absence, in the categories of being or beingness (ousia). Already it appears that the type of question to which we are redirected is, let us say, of the Heideggerian type, and that différance seems to lead back to the ontico-ontological difference. I will be permitted to hold off on this reference. I will note only that between difference as temporization-temporalization, which can no longer be conceived within the horizon of the present, and what Heidegger says in Being and Time about temporalization as the transcendental horizon of the question of Being, which must be liberated from its traditional, metaphysical domination by the present and the now, there is a strict communication, even though not an exhaustive and irreducibly necessary one.

But first let us remain within the semiological problematic in order to see différance as temporization and differance as spacing conjoined. Most of the semiological or linguishc researches that dominate the field of thought today, whether due to their own results or to the regulatory model that they find themselves acknowledging everywhere, refer genealogically to Saussure (correctly or incorrectly) as their common inaugurator. Now Saussure first of all is the thinker who put the arbitrary character of the sign and the differential character of the sign at the very foundation of general semiology, particularly linguistics. And, as we know, these two motifs - arbitrary and differential - are inseparable in his view. There can be arbitrariness only because the system of signs is constituted solely by the differences in terms, and not by their plenitude. The elements of signification function due not to the compact force of their nuclei but rather to the network of oppositions that distinguishes them, and then relates them one to another. "Arbitrary and differential," says Saussure, "are two correlative characteristics."

Now this principle of difference, as the condition for signification, affects the totality of the sign, that is the sign as both signified and signifier. The signified is the concept, the ideal meaning; and the signifier is what Saussure calls the "image," the "psychical imprint" of a material, physical - for example, acoustical - phenomenon. We do not have to go into all the problems posed by these definitions here. Let us cite Saussure only at the point which interests us: "The conceptual side of value is made up solely of relations and differences with respect to the other terms of language, and the same can be said of its material side . . . Everything that has been said up to this point boils down to this: in language there are only differences. Even more important: a difference generally implies posihve terms between which the difference is set up; but in language there are only differences without positive terms. Whether we take the signified or the signifier, language has neither ideas nor sounds that existed before the linguistic system, but only conceptual and phonic differences that have issued from the system. The idea or phonic substance that a sign contains is of less importance than the other signs that surround it." [Ferdinand de Saussure, Course in General Linguistics, trans. Wade Baskin (New York: Philosophical Library, 1959), 117-18, 120]

The first consequence to be drawn from this is that the signified concept is never present in and of itself, in a sufficient presence that would refer only to itself. Essentially and lawfully, every concept is inscribed in a chain or in a system within which it refers to the other, to other concepts, by means of the systematic play of differences. Such a play, différance, is thus no longer simply a concept, but rather the possibility of conceptuality, of a conceptual process and system in general. For the same reason, différance, which is not a concept, is not simply a word, that is, what is generally represened as the calm, present, and self-referential unity of concept and phonic material. Later we will look into the word in general.

The difference of which Saussure speaks is itself, therefore, neither a concept nor a word among others. The same can be said, a fortiori, of différance. And we are thereby led to explicate the relation of one to the other.

In a language, in the system of language, there are only differences. Therefore a taxonomical operation can undertake the systematic, statistical, and classificatory inventory of a language. But, on the one hand, these differences play: in language, in speech too, and in the exchange between language and speech. On the other hand, these differences are themselves effects. They have not fallen from the sky fully formed, and are no more inscribed in a topos noetos, than they are prescribed in the gray matter of the brain. If the word "e;history"e; did not in and of itself convey the motif of a final repression of difference, one could say that only differences can be "historical" from the outset and in each ot their aspects.

What is written as différance, then, will be the playing movement that "e;produces"e; - by means of something that is not simply an activity an activity - these differences, these effects of difference. This does not mean that the différance that produces differences is somehow before them, in a simple and unmodified - in-different - present. Differance is the non-full, non-simple, structured and differentiating origin of differences. Thus, the name "origin" no longer suits it.

Since language, which Saussure says is a classification, has not fallen from the sky, its differences have been produced, are produced effects, but they are effects which do not find their cause in a subject or a substance, in a thing in general, a being that is somewhere present, thereby eluding the play of differance. If such a presence were implied in the concept of cause in general, in the most classical fashion, we then would have to speak of an effect without a cause, which very quickly would lead to speaking of no effect at all. I have attempted to indicate a way out of the closure of this framework via the "trace," which is no more an effect than it has a cause, but which in and of itself, outside its text, is not aufficient to operate the necessary transgression.

Since there is no presence before and outside semiological difference, what Saussure has written about language can be extended to the sign in general: "Language is necessary in order for speech to be intelligible and to produce all of its effects; but the latter is necessary in order for language to be established historically, the fact of speech always comes first."

Retaining at least the framework, if not the content, of this requirement formulated by Saussure, we will designate as différance the movement according to which language, or any code, any system of referral in general is constituted "historically" as a weave of differences. "Is constituted," "is produced," "is created," "movement," Òhistorically,Ó etc., necessarily being understood beyond the metaphysical language in which they are retained, along with all-their implications. We ought to demonstrate why concepts like production, constitution, and history remain in complicity with what is at issue here. But this would take me too far today - toward the theory of the representation of the "circle" in which we appear to be enclosed - and I ublize such concepts, like many others, only for their strategic convenience and in order to undertake their deconstruction at the currently most decisive point. In any event, it will be understood, by means of the circle in which we appear to be engaged, that as it is written here, différance is no more static than it is genetic, no more structural than historical. Or is no less so; and to object to this on the basis of the oldest of metaphysical oppositions (for example, by setting some generative point of view against a structutal-taxonomical point of view, or vice versa) would be, above all, not to read what here is missing) from orthographical ethics. Such oppositions have not the least pertinence to différance, which makes the thinking of it uneasy and uncomfortable.

Now if we consider the chain in which différance lends itself to a certain number of nonsynonymous substitutions, according to the necessity of the context, why have recourse to the "reserve," to "archi-writing," to the "archi-trace," to "spacing," that is, to the "supplement," or to the pharmakon, and soon to the hymen, to the margin- mark-march, etc.

Let us go on. It is because of différance that the movement of signification is possible only if each so-called "present" element, each element appearing on the scene of presence, is related to something other than itself, thereby keepingwithin itself the mark of the past element, and already letting itself be vitiated by the mark of its relation to the future element, this trace being related no less to what is called the future than to what is called the past, and constituting what is called the present by means of this very relation to what it is not: what it absolutely is not, not even a past or a future as a modified present. An interval must separate the present from what it is not in order for the present to be itself, but this interval that conshtutes it as present must, by the same token, divide the present in and of itself, thereby also dividing, along with the present, everything that is thought on the basis of the present, that is, in our metaphysical language, every being, and singularly substance or the subject. In constituting itself, in dividing itself dynamically, this interval is what might be called spacing, the becoming-space of time or the becoming-time of space (temporization). And it is this constitution of the present, as an "originary" and irreducibly nonsimple (and therefore, stricto sensu nonoriginary) synthesis of marks, or traces of retentions and protentions (to reproduce analogically and provisionally a phenomenological and transcendental language that soon will reveal itself to be inadequate), that I propose to call archi- writing, archi-trace, or differance. Which (is) (simultaneously) spacing (and) temporization.

Could not this (active) movement of (the production of) différance without origin be called simply, and without neographism, differentiation? Such a word, among other confusions, would have left open the possibility of an organic, original, and homogeneous unity that eventually would come to be divided, to receive difference as an event. And above all, since it is formed from the verb "to differentiate," it would negate the economic signification of the detour, the temporizing delay, "deferral." Here, a remark in passing, which I owe to a recent reading of a text that Koyre (in 1934, in Revue d'histoire et de philosophic religieuse, and reprinted in his Etudes d'histoire de la pensee philosophique) devoted to "Hegel in Jena." In this text Koyre gives long citations, in German, of the Jena Logic, and proposes their translation. On two occasions he encounters the expression differente Beziehung in Hegel's text. This word (different), with its Latin root, is rare in German and, I believe, in Hegel, who prefers verschieden or ungleich, calling difference Unterschied and qualitative variety Verschiedenheit. In the Jena Logic he uses the word different precisely where he treats of time and the present. Before getting to a valuable comment of Koyré's, let us look at some sentences from Hegel, such as Koyré translates them: "The infinite, in this simplicity, is, as a moment opposed to the equal-to-itself, the negative, and in its moments, although it is (itself) presented to and in itself the totality, (it is) what excludes in general, the point or limit; but in its own (action of) negating, it is related immediately to the other and negates itself by itself. The limit or moment of the present (der Gegen-wart), the absolute 'this' of time, or the now, is of an absolutely negative simplicity, which absolutely excludes from itself all multiplicity, and, by virtue of this, is absolutely determined; it is not whole or a quantum which would be extended in itself (and) which, in itself, also would have an undetermined moment, a diversity which, as indifferent (gleichgültig) or exterior in itself, would be related to an other (auf ein anderes bezogen), but in this is a relation absolutely different from the simple (sondern es ist absolut differente Beziehung)." And Koyre most remarkably specifies in a note: "different Relation: differente Beziehung. One might say: 'differentiating relation.'"e; And on the next page, another text of Hegel's in which one can read this: "Diese Beziehung ist Gegenwart, als eine differente Beziehung (This relationship is [the] present as a different relationship)." Another note of Koyre's: "The term different here is taken in an active sense." [Alexandre Koyre, "Hegel a Jena," in Etudes d'histoire de la pensee philosophique (Paris: Armand Colin, 11961), pp. 153-54. In his translation of "La difference" (in Speech and Phenomena [Evanston: Northwestern University Press, 1973]), David Allison notes (p 144) that the citation from Hegel comes from "Jensener Logik, Metaphysik, und Naturphilosophie" in Sammtliche Werke (Leipzig: E Meiner, 1925), XVIII, 202.]

Writing "e;differant"e; or "différance" (with an a) would have had the advantage of making it possible to translate Hegel at that particular point - which is also an absolutely decisive point in his discourse - without further notes or specifications. And the translation would be, as it always must be, a transformation of one language by another. I contend, of course, that the word différance can also serve other purposes: first, because it marks not only the activity of "originary" difference, but also the temporizing detour of deferral; and above all because différance thus written, although maintaining relations of profound affinity with Hegelian discourse (such as it must be read), is also, up to a certain point, unable to break with that discourse (which has no kind of meaning or chance); but it can operate a kind of infinitesimal and radical displacement of it, whose space I attempt to delineate elsewhere but of which it would be difficult to speak briefly here.

Differences, thus, are "produced" - deferred - by différance. But what defers or who defers? In other words, what is differance? With this question we reach another level and another resource of our problematic.

What differs? Who differs? What is différance?

If we answered these questions before examining them as questions, before turning them back on themselves, and before suspecting their very form, including what seems most natural and necessary about them, we would immediately fall back into what we have just disengaged ourselves from. In effect, if we accepted the form of the question, in its meaning and its syntax ("what is?" "who is?" "who is it that?"), we would have to conclude that différance has been derived, has happened, is to be mastered and governed on the basis of the point of a present being, which itself could be some thing, a form, a state, a power in the world to which all kinds of names might be given, a what, or a present being as a subject, a who. And in this last case, notably, one would conclude implicitly that this present being, for example a being present to itself, as consciousness, eventually would come to defer or to differ: whether by delaying and turning away from the fulfillment of a "need" or a "desire," or by differing from itself. But in neither of these cases would such a present being be "constituted" by this différance.

Now if we refer, once again, to semiological difference, of what does Saussure, in particular, remind us? That "language [which only consists of differences] is not a function of the speaking subject implies that the subject (in its identity with itself, or eventually in its consciousness of its identity with itself, its self-consciousness) is inscribed in language, is a "function" of language, becomes a speaking subject only by making its speech conform - even in so-called Òcreation," or in so-called "transgressionÓ - to the system of the rules of language as a system of differences, or at very least by conforming to the general law of differance, or by adhering to the principle of language which Saussure says is "spoken language minus speech." "Language is necessary for the spoken word to be intelligible and so that it can produce all of its effects." [Saussure, Course in General Linguistics, p. 37.]

If, by hypothesis, we maintain that the opposition of speech to language is absolutely rigorous, then différance would be not only the play of differences within language but also the relation of speech to language, the detour through which I must pass in order to speak, the silent promise I must make; and this is equally valid for semiology in general, governing all the relations of usage to schemata, of message to code, etc. (Elsewhere I have attempted to suggest that this différance in language, and in the relation of speech and language, forbids the essential dissociation of speech and language that Saussure, at another level of his discourse, traditionally wished to delineate. The practice of a language or of a code supposing a play of forms without a determined and invariable substance' and also supposing in the prachce of this play a retention and protention of differences, a spacing and a temporization, a play of traces all this must be a kind of writing before the letter, an archi-writing without a present origin, without arch)-. Whence the regular erasure of the arch)-, and the transformation of general semiology into grammatology, this latter executing a critical labor on everything within semiology, including the central concept of the sign, that maintained metaphysical presuppositions incompatible with the motif of différance.)

One might be tempted by an objection: certainly the subject becomes a speaking subject only in its commerce with the system of linguishc differences; or yet, the subject becomes a signifying (signifying in general, by means of speech or any other sign) subject only by inscribing itself in the system of differences. Certainly in this sense the speaking or signifying subject could not be present to itself, as speaking or signifying, without the play of linguishc or semiological differance. But can one not conceive of a presence, and of a presence to itself of the subject before speech or signs, a presence to itself of the subject in a silent and intuihve consciousness?

Such a question therefore supposes that, prior to the sign and outside it, excluding any trace and any différance, something like consciousness is possible. And that consciousness, before distributing its signs in space and in the world, can gather itself into its presence. But what is consciousness? What does "consciousness" mean? Most often, in the very form of meaning, in all its modifications; consciousness offers itself to thought only as self-presence, as the perception of self in presence. And what holds for consciousness holds here for so-called subjective existence in general. Just as the category of the subject cannot be, and never has been, thought without the reference to presence as hupokeimenon or as ousia, etc., so the subject as consciousness has never manifested itself except as self-presence. The privilege granted to consciousness therefore signifies the privilege granted to the present; and even if one describes the transcendental temporality of consciousness, and at the depth at which Husserl does so, one grants to the "living present" the power of synthesizing traces, and of incessantly reassembling them.

This privilege is the ether of metaphysics, the element of our thought that is caught in the language of metaphysics. One can delimit such a closure today only by soliciting the value of presence that Heidegger has shown to be the ontotheological determination of Being; and inthus soliciting the value of presence, by means of an interrogation whose status must be completely exceptional, we are also examining the absolute privilege of this form or epoch of presence in general that is consciousness as meaning in self-presence.

Thus one comes to posit presence - and specifically consciousness, the being beside itself of consciousness - no longer as the absolutely central form of Being but as a ÒdeterminationÓ and as an Òeffect.Ó A determination or an effect within a system which is no longer that of presence but of differance, a system that no longer tolerates the opposition of activity and passivity, nor that of acuse and effect, or of indetermination and determination, etc., such that in designating consciousness as an effect or a determination, one continues - for strategic reasons that can be more or less lucidly deliberated and systematically calculated - to operate according to the lexicon of that which one is de-limiting.

Before being so radically and purposely the gesture of Heidegger, this gesture was also made by Nietzsche and Freud, both of whom, as is well known, and sometimes in very similar fashion, put consciousness into question in its assured certainty of itself. Now is it not remarkable that they both did so on the basis of the motif of différance?

Différance appears almost by name in their texts, and in those places where everything is at stake. I cannot expand upon this here; I will only recall that for Nietzsche "the great principal activity is unconscious," and that consciousness is the effect of forces whose essence, byways, and modalities are not proper to it. Force itself is never present; it is only a play of differences and quantities. There would be no force in general without the difference between forces; and here the difference of quantity counts more than the content of the quantity, more than absolute size itself. "Quantity itself, therefore, is not separable from the difference of quantity. The difference of quantity is the essence of force, the relation of force to force. The dream of two equal forces, even if they are granted an opposition of meaning, is an approximate and crude dream, a statistical dream, plunged into by the living but dispelled by chemistry." [Gilles Deleuze, Nietzsche et la philosophie (Paris: Presses Universitaires de France, 1970), p. 49.] Is not all of Nietzsche's thought a critique of philosophy as an active indifference to difference, as the system of adiaphoristic reduction or repression? Which according to the same logic, according to logic itself, does not exclude that philosophy lives in and on differance, thereby blinding itself to the same, which is not the identical. The same, precisely is différance (with an a) as the displaced and equivocal passage of one different thing to another, from one term of an opposition to the other. Thus one could reconsider all the pairs of opposites on which philosophy is constructed and on which our discourse lives, not in order to see opposition erase itself but to see what indicates that each of the terms must appear as the différance of the other, as the other different and deferred in the economy of the same (the intelligible as differing-deferring the sensible, as the sensible different and deferred; the concept as different and deferred, differing-deferring intuition; culture as nature different and deferred, differing deferring; all the others of physis - tekhne, nomos, thesis, society, freedom, history, mind, etc. - as physis different and deferred, or as physis differing and deferring. Physis in differance. And in this we may see the site of a reinterpretation of mimesis in its alleged opposition to physic). And on the basis of this unfolding of the same as differance, we see announced the sameness of différance and repetition in the eternal return. Themes in Nietzsche's work that are linked to the symptomatology that always diagnoses the detour or ruse of an agency disguised in its differance; or further, to the entire thematic of achve interpretation, which substitutes incessant deciphering for the unveiling of truth as the presentation of the thing itself in its presence, etc. Figures without truth, or at least a system of figures not dominated by the value of truth, which then becomes only an induded, inscribed, circumscribed function.

Thus, différance is the name we might give to the "active," moving discord of different forces, and of differences of forces, that Nietzsche sets up against the entire system of metaphysical grammar, wherever this system governs culture, philosophy, and science.

It is historically significant that this diaphoristics, which, as an energetics or economics of forces, commits itself to putting into question the primacy of presence as consciousness, is also the major motif of Freud's thought: another diaphoristics, which in its entirety is both a theory of the figure (or of the trace) and an energetics. The putting into question of the authority of consciousness is first and always differential.

The two apparently different values of différance are hed together in Freudian theory: to differ as discernibility, distinction, separation, diastem, spacing; and to defer as detour, relay, reserve, temporization.

1. The concepts of trace (Spur), of breaching (Bahnung), and of the forces of breaching, from the Project on, are inseparable from the concept of difference. The origin of memory, and of the psyche as (conscious or unconscious) memory in general, can be described only by taking into account the difference between breaches. Freud says so overtly. There is no breach without difference and no difference without trace.

2. All the differences in the production of unconscious traces and in the processes of inscription (Niederschrift) can also be intetpreted as moments of differance, in the sense of putting into reserve. According to a schema that never ceased to guide Freud's thought, the movement of the trace is described as an effort of life to protect itself by deferring the dangerous investment, by constituting a reserve (Vorrat). And all the oppositions that furrow Freudian thought relate each of his concepts one to another as moments of a detour in the economy of differance. One is but the other different and deferred, one differing and deferring the other. One is the other in differance, one is the différance of the other. This is why every apparently rigorous and irreducible opposition (for example the opposition of the secondary to the primary) comes to be qualified, at one moment or another, as a "theoretical fiction." Again, it is thereby, for example (but such an example governs, and communicates with, everything), that the difference between the pleasure principle and the reality principle is only différance as detour. In Beyond the Pleasure Principle Freud writes: "Under the influence of the ego's instincts of self-preservation, the pleasure principle is replaced by the reality principle. This latter principle does not abandon the intention of ultimately obtaining pleasure, but it nevertheless demands and carries into effect the postponement of satisfaction, the abandonment of a number of possibilities of gaining satisfaction and the temporary toleration of unpleasure as a step on the long indirect road (Aufschub) to pleasure." [The Standard Edition of the Complete Psychological Works (London: Hogarth Press, 1950 [hereafter cited as SE]), vol. 18, p. 10.]

Here we are touching upon the point of greatest obscurity, on the very enigma of differance, on precisely that which divides its very concept by means of a strange cleavage. We must not hasten to decide. How are we to think simultaneously, on the one hand, différance as the economic detour which, in the element of the same, always aims at coming back to the pleasure or the presence that have been deferred by (conscious or unconscious) calculation, and, on the other hand, différance as the relation to an impossible presence, as expenditure without reserve, as the irreparable loss of presence, the irreversible usage of energy, that is, as the death instinct, and as the endrely other relationship that apparently interrupts every economy? It is evident - and this is the evident itself - that the economical and the noneconomical, the same and the entirely other, etc., cannot be thought together. If différance is unthinkable in this way, perhaps we should not hasten to make it evident, in the philosophical element of evidentoality which would make short work of dissipating the mirage and illogicalness of différance and would do so with the infallibility of calculations that we are well acquainted with, having precisely recognized their place, necessity, and function in the structure of differance. Elsewhere, in a reading of Bataille, I have attempted to indicate what might come of a rigorous and, in a new sense, "scientific" relating of the "restricted economy" that takes no part in expenditure without reserve, death, opening itself to nonmeaning, etc., to a general economy that takes into account the nonreserve, that keeps in reserve the nonreserve, if it can be put thus. I am speaking of a relationship between a différance that can make a profit on its investment and a différance that misses its profit, the investiture of a presence that is pure and without loss here being confused with absolute loss, with death. Through such a relahng of a restricted and a general economy the very project of philosophy, under the privileged heading of Hegelianism, is displaced and reinscribed. The Aufhebung - la releve - is constrained into wridng itself otherwise. Or perhaps simply into writing itself. Or, better, into taking account of its consumption of writing.

For the economic character of différance in no way implies that the deferred presence can always be found again, that we have here only an investment that provisionally and calculatedly delays the perception of its profit or the profit of its perception. Contrary to the metaphysical, dialectical, "Hegelian" interpretation of the economic movement of differance, we must conceive of a play in which whoever loses wins, and in which one loses and wins on every turn. If the displaced presentation remains definitively and implacably postponed, it is not that a certain present remains absent or hidden. Rather, différance maintains our relationship with that which we necessarily misconstrue, and which exceeds the alternative of presence and absence. A certain alterity - to which Freud gives the metaphysical name of the unconscious - is definitively exempt from every process of presentation by means of which we would call upon it to show itself in person. In this context, and beneath this guise, the unconscious is not, as we know, a hidden, virtual, or potential self-presence. It differs from, and defers, itself; which doubtless means that it is woven of differences, and also that it sends out delegates, representatives, proxies; but without any chance that the giver of proxies might "exist," might be present, be "itself" somewhere, and with even less chance that it might become conscious. In this sense, contrary to the terms of an old debate full of the metaphysical investments that it has always assumed, the "unconscious" is no more a "thing" than it is any other thing, is no more a thing than it is a virtual or masked consciousness. This radical alterity as concerns every possible mode of presence is marked by the irreducibility of the aftereffect, the delay. In order to describe traces, in order to read the traces of "unconscious" traces (there are no "conscious" traces), the language of presence and absence, the metaphysical discourse of phenomenology, is inadequate. (Although the phenomenologist is not the only one to speak this language.)

The structure of delay (Nachträglichkeit) in effect forbids that one make of temporalization (temporization) a simple dialectical complication of the living present as an originary and unceasing synthesis a synthesis constantly directed back on itself, gathered in on itself and gathering - of retentional traces and protentional openings. The alterity of the "unconscious" makes us concerned not with horizons of modified - past or future - presents, but with a "past" that has never been present, and which never will be, whose future to come will never be a production or a reproduction in the form of presence. Therefore the concept of trace is incompatible with the concept of retention, of the becoming-past of what has been present. One cannot think the trace and therefore, différance - on the basis of the present, or of the presence of the present.

A past that has never been present: this formula is the one that Emmanuel Levinas uses, although certainly in a nonpsychoanalytic way, to qualify the trace and enigma of absolute alterity: the Other. Within these limits, and from this point of view at least, the thought of différance implies the entire critique of classical ontology undertaken by Levinas. And the concept of the trace, like that of différance thereby organizes, along the lines of these different traces and differences of traces, in Nietzsche's sense, in Freud's sense, in Levinas's sense - these "names of authors" here being only indices - the network which reassembles and traverses our "era" as the delimitation of the ontology of presence.

Which is to say the ontology of beings and beingness. It is the domination of beings that différance everywhere comes to solicit, in the sense that sollicitare, in old Lahn, means to shake as a whole, to make tremble in entirety. Therefore, it is the determination of Being as presence or as beingness that is interrogated by the thought of differance. Such a question could not emerge and be understood unless the difference between Being and beings were somewhere to be broached. First consequence: différance is not. It is not a present being, however excellent, unique, principal, or transcendent. It governs nothing, reigns over nothing, and nowhere exercises any authority. It is not announced by any capital letter. Not only is there no kingdom of differance, but différance instigates the subversion of every kingdom. Which makes it obviously threatening and infallibly dreaded by everything within us that desires a kingdom, the past or future presence of a kingdom. And it is always in the name of a kingdom that one may reproach différance with wishing to reign, believing that one sees it aggrandize itself with a capital letter.

Can différance, for these reasons, settle down into the division of the ontico-ontological difference, such as it is thought, such as its "epoch" in particular is thought, "through," if it may skill be expressed such, Heidegger's uncircumventable meditation?

There is no simple answer to such a question.

In a certain aspect of itself, différance is certainly but the historical and epochal unfolding of Being or of the ontological difference. The a of différance marks the movement of this unfolding.

And yet, are not the thought of the meaning or truth of Being, the determination of différance as the ontico-ontological difference, difference thought within the horizon of the question of Being, skill intrametaphysical effects of differance? The unfolding of différance is perhaps not solely the truth of Being, or of the epochality of Being. Perhaps we must attempt to think this unheard-of thought, this silent tracing: that the history of Being, whose thought engages the Greco-Western logos such as it is produced via the ontological difference, is but an epoch of the diapherein. Henceforth one could no longer even call this an "epoch," the concept of epochality belonging to what is within history as the history of Being. Since Being has never had a "meaning," has never been thought or said as such, except by dissimulating itself in beings, then differance, in a certain and very strange way, (is) "older" than the ontological difference or than the truth of Being. When it has this age it can be called the play of the trace. The play of a trace which no longer belongs to the horizon of Being, but whose play transports and encloses the meaning of Being: the play of the trace, or the differance, which has no meaning and is not. Which does not belong. There is no maintaining, and no depth to, this bottomless chessboard on which Being is put into play.

Perhaps this is why the Heraclitean play of the hen diapheron heautoi, of the one differing from itself, the one in difference with itself, already is lost like a trace in the determination of the diapherein as ontological difference.

To think the ontological difference doubtless remains a difficult task, and any statement of it has remained almost inaudible. Further, to prepare, beyond our logos, for a différance so violent that it can be interpellated neither as the epochality of Being nor as ontological difference, is not in any way to dispense with the passage through the truth of Being, or to "criticize," "contest," or misconstrue its incessant necessity. On the contrary, we must stay within the difficulty of this passage, and repeat it in the rigorous reading of metaphysics, wherever metaphysics normalizes Western discourse, and not only in the texts of the "history of philosophy." As rigorously as possible we must permit to appear/ disappear the trace of what exceeds the truth of Being. The trace (of that) which can never be presented, the trace which itself can never be presented: that is, appear and manifest itself, as such, in its phenomenon. The trace beyond that which profoundly links fundamental ontology and phenomenology. Always differing and deferring, the trace is never as it is in the presentation of itself. It erases itself in presenting itself, muffles itself in resonating, like the a writing itself, inscribing its pyramid in differance.

The annunciating and reserved trace of this movement can always be disclosed in metaphysical discourse, and especially in the contemporary discourse which states, through the attempts to which we just referred (Nietzsche, Freud, Levinas), the closure of ontology. And especially through the Heideggerean text.

This text prompts us to examine the essence of the present, the presence of the present.

What is the present? What is it to think the present in its presence?.

Let us consider, for example, the 1946 text endtled Der Spruch des Anaximander ("The Anaximander Fragment"). [Martin Heidegger, Holzwege (Frankfurt: Vittorio Klostermann, 1957). English translation ("The Anaximander Fragment") in Early Greek Thinking, trans. David Farrell Krell and Frank Capuzzi (New York: Harper and Row, 1975).] In this text Heidegger recalls that the forgethng of Being forgets the difference between Being and beings: ". . . to be the Being of beings is the matter of Being (die Sache des Seins). The grammatical form of this enigmatic, ambiguous genitive indicates a genesis (Genesis), the emergence (Herkunft) of what is present from presencing (des Anwesenden aus dem Anwesen). Yet the essence (Wesen) of this emergence remains concealed (verborgen) along with the essence of these two words. Not only that, but even the very relation between presencing and what is present (Anwesen und Anwesendem) remains unthought. From early on it seems as though presencing and what is present were each something for itself. Presencing itself unnoticeably becomes something present . . . The essence of presencing (Das Wesen des Anwesens), and with it the distinction between presencing and what is present, remains forgotten. The oblivion of Being is oblivion of the distinction between Being and beings" (p. 50).

In recalling the difference between Being and beings (the ontological difference) as the difference between presence and the present, Heidegger advances a proposition, a body of propositions, that we are not going to use as a subject for cridcism. This would be foolishly precipitate; rather, what we shall try to do is to return to this proposition its power to provoke.

Let us proceed slowly. What Heidegger wants to mark is this: the difference between Being and beings, the forgotten of metaphysics, has disappeared without leaving a trace. The very trace of difference has been submerged. If we maintain that différance (is) (itself) other than absence and presence, if it traces, then when it is a matter of the forgetting of the difference (between Being and beings), we would have to speak of a disappearance of the trace of the trace. Which is indeed what the following passage from "The Anaximander Fragment" seems to imply: "Oblivion of Being belongs to the self-veiling essence of Being. It belongs so essentially to the deshny of Being that the dawn of this destiny rises as the unveiling of what is present in its presencing. This means that the history of Being begins with the oblivion of Being, since Being - together with its essence, its distinction from beings - keeps to itself. The dishnction collapses. It remains forgotten. Although the two parties to the distinction, what is present and presencing (das Anwesende und das Anwesen), reveal themselves, they do not do so as distinguished. Rather, even the early trace (die frühe Spur) of the distinction is obliterated when presencing appears as something present (das Anwesen wie ein Anwesendes erscheint) and finds itself in the position of being the highest being present (in einem höchsten Anwesenden)" (pp. 50-51).

Since the trace is not a presence but the simulacrum of a presence that dislocates itself, displaces itself, refers itself, it properly has no site erasure belongs to its structure. And not only the erasure which must always be able to overtake it (without which it would not be a trace but an indestructible and monumental substance), but also the erasure which constitutes it from the outset as a trace, which situates it as the change of site, and makes it disappear in its appearance, makes it emerge from itself in its production. The erasure of the early trace (die fruhe Spur) of difference is therefore the "same" as its tracing m the text of metaphysics. This latter must have maintained the mark of what it has lost, reserved, put aside. The paradox of such a structure, in the language of metaphysics, is an inversion of metaphysical concepts, which produces the following effect: the present becomes the sign of the sign, the trace of the trace. It is no longer what every reference refers to in the last analysis. It becomes a function in a structure of generalized reference. It is a trace, and a trace of the erasure of the trace.

Thereby the text of metaphysics is comprehended. Still legible; and to be read. It is not surrounded but rather traversed by its limit, marked in its interior by the multiple furrow of its margin. Proposing all at once the monument and the mirage of the trace, the trace simultaneously traced and erased, simultaneously living and dead, and, as always, living in its simulation of life's preserved inscription. A pyramid. Not a stone fence to be jumped over but itself stonelike, on a wall, to be deciphered otherwise, a text without voice.

Thus one can think without contradiction, or at least without granting any pertinence to such a contradiction, what is perceptible and imperceptible in the trace. The "early trace" of difference is lost in an invisibility without return, and yet its very loss is sheltered, retained, seen, delayed. In a text. In the form of presence. In the form of the proper. Which itself is only an effect of writing.

Having stated the erasure of the early trace, Heidegger can therefore, in a contradiction without contradiction, consign, countersign, the sealing of the trace. A bit further on: "However, the distinction between Being and beings, as something forgotten, can invade our experience only if it has already unveiled itself with the presencing of what is present (mit dem Anwesen des Anwesenden); only if it has left a trace (eine Spur gepragt hat) which remains preserved (gewahrt bleibt) in the language to which Being comes" (p. 51).

Still further on, while meditating on Anaximander's to khreon, which he translates as Brauch (usage), Heidegger writes this: "Enjoining order and reck (Fug und Ruch verfugend), usage delivers to each present being (Anwesende) the while into which it is released. But accompanying this process is the constant danger that lingering will petrify into mere persistence (in das blosse Beharren verhärtet). Thus usage essentially remains at the same hme the distribution (Ausha'ndigung: dis-maintenance) of presencing (des Anwesens) into disorder (in den Un-fug). Usage conjoins the dis (Der Brauch fugt das Un-)" (p. 54).

And it is at the moment when Heidegger recognizes usage as trace that the question must be asked: can we, and to what extent, think this trace and the dis of différance as Wesen des Seins? Does not the dis of différance refer us beyond the history of Being, and also beyond our language, and everything that can be named in it? In the language of Being, does it not call for a necessarily violent transformation of this language by an endrely other language?

Let us make this question more specific. And to force the "trace" out of it (and has anyone thought that we have been tracking something down, something other than tracks themselves to be tracked down?), let us read this passage: "The translation of to khreon as 'usage' has not resulted from a preoccupation with etymologies and dictionary meanings. The choice of the word stems from a prior crossing over (Über- setzen; trans-lation) of a thinking which tries to think the dishnction m the essence of Being (im Wesen des Seins) in the fateful beginning of Being's oblivion. The word'usage' is dictated to thinking in the experience (Erfahrung) of Being's oblivion. What properly remains to be thought in the word 'usage' has presumably left a trace (Spur) in to khreon. This trace quickly vanishes (alsbald verschwindet) in the deshny of Being which unfolds in world history as Western metaphysics" (p. 54).

How to conceive what is outside a text? That which is more or less than a text's own, proper margin? For example, what is other than the text of Western metaphysics? It is certain that the trace which "quickly vanishes in the destiny of Being (and) which unfolds . . . as Western metaphysics" escapes every determination, every name it might receive in the metaphysical text. It is sheltered, and therefore dissimulated, in these names. It does not appear in them as the trace "itself." But this is because it could never appear itself, as such. Heidegger also says that difference cannot appear as such: "Lichtung des Unterschiedes kann deshalb auch nicht bedeuten, class der Unterschied als der Unterschied erscheint." There is no essence of différance; it (is) that which not only could never be appropriated in the as such of its name or its appearing, but also that which threatens the authority of the as such in general, of the presence of the thing itself in its essence. That there is not a proper essence of différance at this point, implies that there is neither a Being nor truth of the play of writing such as it engages differance.

For us, différance remains a metaphysical name, and all the names that it receives in our language are shll, as names, metaphysical. And this is parhcularly the case when these names state the determination of diffe'rance as the difference between presence and the present (Anwesen/Anwesend), and above all, and is already the case when they state the determination of différance as the difference of Being and beings.

"Older" than Being itself, such a différance has no name in our language. But we "already know" that if it is unnameable, if is not provisionally so, not because our language has not yet found or received this name, or because we would have to seek it in another language, outside the finite system of our own. It is rather because there is no name for it at all, not even the name of essence or of Being, not even that of "differance," which is not a name, which is not a pure nominal unity, and unceasingly dislocates itself in a chain of differing and deferring substitutions.

"There is no name for it": a proposition to be read in its platitude. This unnameable is not an ineffable Being which no name could approach: God, for example. This unnameable is the play which makes possible nominal effects, the reladvely unitary and atomic structures that are called names, the chains of substitutions of names in which, for example, the nominal effect différance is itself enmeshed, carried off, reinscribed, just as a false entry or a false exit is skill part of the game, a function of the system.

What we know, or what we would know if it were simply a question here of something to know, is that there has never been, never will be, a unique word, a master-name. This is why the thought of the letter a in différance is not the primary prescription or the prophetic annunciation of an imminent and as yet unheard-of nomination. There is nothing kerygmatic about this "word," provided that one perceives its decapita(liza)tion. And that one puts into question the name of the name.

There will be no unique name, even if it were the name of Being. And we must think this without nostalgia, that is, outside of the myth of a purely maternal or paternal language, a lost native country of thought. On the contrary, we must affirm this, in the sense in which Nietzsche puts affirmation into play, in a certain laughter and a certain step of the dance.

From the vantage of this laughter and this dance, from the vantage of this affirmation foreign to all dialectics, the other side of nostalgia, what I will call Heideggerian hope, comes into question. I am not unaware how shocking this word might seem here. Nevertheless I am venturing it, without excluding any of its implications, and I relate it to what still seems to me to be the metaphysical part of "The Anaximander Fragment": the quest for the proper word and the unique name. Speaking of the first word of Being (das frühe Wort des Seins: to khreon), Heidegger writes: "The relation to what is present that rules in the essence of presencing itself is a unique one (ist eine einzige), altogether incomparable to any other relation. It belongs to the uniqueness of Being itself (Sie gehört zur Einzigkeit des Seins selbst). Therefore, in order to name the essenhal nature of Being (das wesende Seins), language would have to find a single word, the unique word (ein einziges, das einzige Wort). From this we can gather how daring every thoughtful word (denkende Wort) addressed to Being is (das dem Sein zugesprochen wird). Nevertheless such daring is not impossible, since Being speaks always and everywhere throughout language" (p. 52).

Such is the question: the alliance of speech and Being in the unique word, in the finally proper name. And such is the question inscribed in the simulated affirmation of differance. It bears (on) each member of this sentence: "Being / speaks / always and everywhere / throughout / language."

::source: http://www.hydra.umn.edu/derrida/diff.html

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